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Gaslight And Borderlands Offer Light-Hearted Fun For Kids Of All Ages.
By Dave Irwin
THE HOLIDAYS GIVE us a chance to sample simple theatre
guilt free, like so many chocolate kisses. Two current productions,
the Gaslight Theatre's Give My Regards to Santa, or The Snow
Must Go On, and Borderlands' A Tucson Pastorela, show
how much fun the unsophisticated stage can be.
Gaslight Theatre has a long-standing and well-deserved reputation
for being entertaining, but it's unlikely its productions will
ever be tagged intellectual. More vaudeville than theater, the
emphasis is on having a good time, enjoying some laughs, eating
popcorn and doing anything but think. Following that formula,
Give My Regards to Santa won't win any drama awards, but
that really doesn't matter to the rollicking full houses the production
is pulling in for two to three shows a day. Co-written (with Bobby
Joyce Smith) and directed by Carol Calkins, Give My Regards
has a paper-thin plot involving post-Prohibition bootlegger Broadway
Tony sending his sidekick, Izzy, to pull off a holiday bank heist
wearing a Santa Claus outfit in a city full of Santas.
This, not unexpectedly, leaves the real, true Santa, who has
been making grandiose predictions to our cast, languishing in
jail on Christmas Eve. Subplots involve Tony's untalented girlfriend/actress;
an aspiring writer and his talented girlfriend; a street orphan
and a rich widow's helpful daughter; and Walter Winchell's Depression-era
status as arbiter of truth.
The show stars Gaslight stalwarts Armen Dirtadian, Joe Cooper,
Glenda Young, Dan Gunther, Peter Van Slyke, John Brownlee and
14 other ensemble players for the play's 11 roles and grueling
daily schedule. Not that it matters who plays what, since the
general skills are high enough that the performers are pretty
much interchangeable.
The production is shameless in its pandering to the audience,
and that's not a bad thing here. The cartoonish characters say
and do exactly what we expect. Like a stand-up comedy routine,
these pros' fluffed lines are a gateway to additional mugging.
They deliver reliable performances with lots of song, dance and
laughter. Give My Regards to Santa is assembly-line entertainment:
dependable, filling, and a solid value.
Borderlands' A Tucson Pastorela is equally entertaining,
but rounds out the other end of the spectrum. In contrast to the
crusty professionalism of the Gaslight, A Tucson Pastorela
succeeds largely because of its naive amateurism. The pastorela,
which dates from the 1500s, is a folk-art form, performed in verse,
on the struggle between good and evil. Directed by Borderlands'
Barclay Goldsmith, this third incarnation (updated annually) aspires
to become a Tucson tradition...which it richly deserves.
From the moment young actresses Samantha Brown and Clarissa Yazzie
hit the stage as a puppy and sheep trying to escape "The
Barney Song," the enthusiasm and pageantry of the 27-member
cast are more important than acting skill or elaborate production
values. The plot follows a group of peasants heading to Bethlehem,
their way challenged by devils and defended by angels. Their temptations
and obstacles include weariness, riches, discrimination, and finally,
taking the easy way out, leading to their abandonment in the desert
(by devils in the guise of beguiling coyotes).
This broad scenario allows playwright Max Branscomb to work in
topical references to J. Fife Symington, Elton John, the movies
Titanic and Zorro, and a number of strolling carols
sung in Spanish. Particularly noteworthy are Albert Soto, who
brings a marvelous strut and glee to his role as the lead demon,
Lucifer; his underling Christina Walker as Satan, and Hector Ayala
as the prophet Señor Soledad. The crystalline singing of
Marissa Garcia as Estrella/Star of Bethlehem is also outstanding.
Both Give My Regards to Santa and A Tucson Pastorela
owe a significant portion of their entertainment value to the
post-production activities: Following Give My Regards,
the cast comes back out for an "olio," additional singing
and dancing on a holiday theme to round out the full two hours.
After the Pastorela, children are invited on-stage and
arranged by size for three whacks at a dangling piñata,
at considerable risk to the actors trying to direct them. Anyone
whose heart isn't warmed by watching this awkward and hilarious
enterprise deserves coal in his stocking.
For parents looking for a treat for their own small children,
the Pastorela is perfect, especially if you want them to
have a taste of the Southwest's cultural diversity along with
their piñata candy. For adults looking for a good time
with their own parents, the Gaslight Theatre is similarly ideal.
Give My Regards to Santa, or The Snow Must Go On
continues daily through January 2 at Gaslight Theatre,
7010 E. Broadway. (Closed Christmas and New Year's Day.) Show
times vary and reservations are strongly recommended. Tickets
are $13.95 for adults; $11.95 for students, senior citizens and
military personnel; and $6 for children under 12. For information
and reservations, call 886-9428.
A Tucson Pastorela, by Borderlands Theater, continues
through Sunday, December 20, at the PCC Black Box Theatre,
2202 W. Anklam Road. Show times are 7 p.m. Thursday and Friday,
and 3 and 7 p.m. Saturday and Sunday. Tickets are $4 for children
under 12 for all shows. Tickets range from $7 to $12, with $7
student rush tickets available 15 minutes prior to curtain for
each performance. For reservations and information, call 882-7406.
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