Guest Conductor Richard Westerfield Leads The TSO Through Mozart And Shostakovich.
By Emil Franzi
RICHARD WESTERFIELD, RECENTLY appointed Associate Conductor
of the Boston Symphony, will lead the Tucson Symphony in two performances
this week, with a program of Mozart and Shostakovich. He'll be
joined in the Mozart clarinet concerto by Burt Hara.
Westerfield is currently the director of the Harrisburg Symphony.
Boston Maestro Seija Ozawa made Westerfield the first full Associate
Conductor there since Michael Tilson Thomas held the post 25 years
ago. Like Thomas and our own George Hanson, the 40-year-old Westerfield
is a protégé of the late Leonard Bernstein. At the
end of this year, he'll leave that post to take up residence as
Music Director of the Alabama Symphony Orchestra.
He's had a fascinating career so far. He never heard a real orchestra
until he was 18 and went to Yale University, initially to major
in math and economics. He switched to music, had his own chamber
orchestra in New Haven, and became an assistant to John Mauceri
at the New York City Opera. He also worked with Bernstein and
Ozawa at Tanglewood. In the early '80s, he won a Fulbright scholarship
to Romania, where he met two of the most important people in his
life.
One was his wife Helen, a choral conductor studying in Frankfurt.
He would take the Orient Express to meet her in Vienna. (They
now have two children, ages 8 and 11.) The other was the little-known
Romanian conductor Mircea Cristescu. Westerfield considers Cristescu
to have been a major influence on his artistic development. Asked
to compare Cristescu to Bernstein, he replied, "great artists
are always unique."
After two years in Romania, where Westerfield states they don't
have toilet paper or wear socks, but every town has an orchestra,
he returned to the United States and ended up a stock broker at
J.P. Morgan to support his family. His career in music remained
on hold until early 1993, when he received a panic call from the
NY Philharmonic to replace an ailing Erich Leinsdorf. He conducted
one rehearsal, the musicians liked him and Leinsdorf remained
ill, and he got to do the whole series to excellent reviews.
That got him back in the conducting game, and led to guest positions
with orchestras in Baltimore, Pittsburgh, Florida, Indianapolis,
Minnesota, and the permanent job in Harrisburg in 1995. In February
1999, he'll conduct Berlioz' Benvenuto Cellini at the Kirov
Opera in St. Petersburg, at the request of its director, Valery
Gergiev.
Westerfield has a great affinity for Berlioz, and a similar one
for Shostakovich. He's conducted most of the Shostakovich symphonies,
and was originally set to give us the extremely complex Fifteenth
Symphony. Unfortunately, too much of the TSO's limited rehearsal
time was focused on last weekend's Nutcracker (though the
live music was a lovely addition to the Ballet Arizona production).
Westerfield opted instead for the more tenable Shostakovich First
Symphony. It's an unfortunate circumstance, as the Fifteenth
would've been a real treat for the Tucson audience.
Westerfield is part of that younger generation of conductors--including
Hanson and last year's smash guest, Giselle Ben-Dor, of the Santa
Barbara Symphony--who understand their audiences far better than
the marketing consultants and bean counters exerting their influence
on the arts. While Westerfield finds a growing populism and anti-elitism
in America, he also knows that "people are as vulnerable
to a beautiful phrase as ever." Nonetheless, he isn't concerned
about the future of orchestral music in America.
"American orchestras are wonderful, and there are more of
them. A few have failed, mostly because of bad management."
Nor is he concerned about the fact that most draw older audiences.
"They always have," he notes. Westerfield appears to
be a member of the "build it and they will come" school
of arts funding.
Like Hanson and Ben-Dor, he makes most of the major decisions
involving programming and guest artists--a healthy trend. His
new post in Alabama will give him a $4-million budget, a $15-million
endowment, and 48 core players. The TSO operates with $3 million
and 34 players. We should remember that orchestras at the level
of the TSO, like Alabama and Harrisburg, produce a superb product,
and it is the glory of America that so many persevere...and are
giving us a new generation of superb conductors who will someday
replace the older guys at the major orchestras.
Westerfield will be joined by clarinetist Burt Hara, principal
clarinetist of the Minnesota Orchestra, and formerly the principal
clarinet of the Philadelphia Orchestra. That the latter would
like to have him back tells you that you'll hear an excellent
artist. What more do you want to know?
The Tucson Symphony Orchestra, under guest conductor Richard
Westerfield, performs at 8 p.m. Thursday and Friday, December
10 and 11, at the TCC Music Hall, 260 S. Church Ave. Single
concert tickets range from $10.75 to $30. Call 882-8585
for tickets and information.
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