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Take Flight With The Afro-Cuban All Stars.
By Simon Zealot
CONFINED TO THE historic city of Havana are a people who,
despite living in a state of economic slumber and government oppression,
somehow manage to embrace life in celebration of love, and persist
in their quest for everything that is happy. That happiness is
exemplified in the electrifying brass and thunderous percussion
behind the sounds of the Afro-Cuban All Stars. Before the 1959
revolution, the Cuban ethos was to be "socialism with pachanga
(rhythm)." The All Stars are pachanga squared.
Fronting this explosive, 13-member ensemble (15 members for their
first-ever U.S. tour) is musical director and founder Juan de
Marcos González. The Havana native began life surrounded
by traditional Cuban rhythms aired by his parents, who continued
to pilot a musical childhood by taking him to all-night rumba
parties called rumbas de solar. In the '70s, González
performed with the son group Sierra Maestra, all the while
sketching out plans to conquer his dream, which is now a reality
in the All Stars.
"I wanted to take the spirit of the old big-band arrangements,
re-record with a modern sound and use some of the original voices
and players of the period." This bag has it all: the legacy
of Cuba's heavy-hitters and its legends of tomorrow, all rolled
up in one big, fat musical cigar.
The talent involved in this project is bottomless. To name a
couple: Ibrahim Ferrer (born at a social club dance), who performed
with Orquesta de Chepin, one of the most famous Cuban dance orchestras
of the 1950s, Banda Gigante (of the legendary Benny Moré);
and Teresa García Caturla (daughter to the renowned composer
Alejandro García Caturla), who lead the Azuquita Quartet,
Las d' Aida, through Panama, the Caribbean, Mexico, Spain, Finland
and Africa in the mid-'70s. The magnitude of this line-up could
be compared to an American ensemble consisting of Billie Holiday,
Louis Armstrong, Miles Davis, John Coltrane and Thelonious Monk.
Throw out any preconceived notions of what Cuban music should
sound like. You'll need no prerequisites as you hear the All Stars
bend their way through a variety of traditional Cuban styles including
Danzón, Son-Montuno, Afro, Mambo and Guajira. Once the
sounds reach your ears, your feet will lead you to believe they've
been leaving your body for midnight rendezvous with dance floors
in Cuban hotels.
Due to embargo, traditional Cuban rites are virgin to most American
ears. And this is true not only of the music, but the hard realities
of the lives of those who create it. Small state pensions support
a large number of classic musicians, who like Ibrahim Ferrer,
often supplement this by earning $15 a month shining shoes. Reaching
over all of the adjectives that could explain the All Stars' powerful
stance in music, Ferrer best describes the emotions that ground
them: "I'm so happy. I don't have to shine shoes anymore."
Catch The Afro-Cuban All Stars' debut performance on Wednesday,
September 30, at the Rialto Theater, 318 E. Congress St.
Doors open at 7 p.m., with show time at 8 p.m.Tickets are $18
in advance from Hear's Music, Yikes!, Zip's University and Guitars,
Etc. They'll cost $20 at the door. Call 740-0126 for information.
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