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Loudon Wainwright III Is Still Trying To Live Down That Dead Skunk Thing.
By Dave Irwin
LOUDON WAINWRIGHT III was supposed to be the new Bob Dylan
30 years ago. Eventually, he wrote "Talking New Bob Dylan,"
telling how he and others like Steve Forbert, scarred by the tag
of "New Dylan," get together at Bruce Springsteen's
house for their 12 Step meetings.
Looking at himself on "Four Mirrors" off his latest
album, Little Ship, he unflinchingly notes the broken blood
vessels under his 52-year-old skin.
Painful, hilarious and acerbic only start to describe Wainwright.
If his own foibles were not so frequently the subject of his songs,
he would be hard to take. As it is, his views on the sorry state
of humanity, most often through the example of himself, are hard
to resist.
Two things have defined the general public's perception of Wainwright
over the years: What he refers to as "that Dead Skunk thing"
and his three episodes as the guitar-playing Dr. Spaulding on
the TV show M.A.S.H. In 1973, America couldn't drive to
work without hearing "Dead Skunk (In the Middle of the Road)."
While lucrative, it did as much for Wainwright being able to expand
his career as playing Mr. Spock did for Leonard Nimoy.
"In the early '70s I stumbled on a hit single, the song
about the dead skunk," he says. "That was a big record
that year and I made a lot of money. I was pressured to duplicate
that and I kind of half heartedly took a stab at it and didn't
succeed. By the end of the '70s, I realized I had to go back to
what I did, which was picking guitar and playing the songs I wanted
to write. I was living in England and making records with Richard
Thompson. In 1979, I did a live record (A Live One). It
slowly got my confidence back, but with the understanding that
I was going to have the production serve the song, and not the
record company or what I thought radio wanted, because I had no
idea and I wasn't very good at it anyway."
Always noted as a sharp, intelligent songwriter, despite the
"Dead Skunk" thing, Wainwright has carved out a fluky
career followed by a set of hardcore fans. His 16 albums include
wry observations about the world mixed with funny/tragic songs
about his failed relationships with wives, lovers, children and
even himself. Albums like Career Moves, recorded live one
night at the Bottom Line in New York, demonstrate his comedic
talent. After several years on independent labels, he now finds
himself on Virgin Records, along with the Rolling Stones and the
Spice Girls. Not that it particularly matters to him.
"I'm just writing songs and working for labels that let
me make records like that," he says. "And more fortunately,
there are enough people that like the songs and are interested
so that I can come and play in Tucson and people will show up,
and the newspaper will talk to me and a radio station will call
me up. That's the state of my career and it's been the state of
my career for quite awhile."
Recent projects include guesting on The McGarrigle Hour
album with ex-wife Kate McGarrigle and their children, Rufus (who
has his own recording career) and Martha, along with ex-in-law
Anna McGarrigle and special guests Emmy Lou Harris and Linda Ronstadt.
Later this fall, he'll join the McGarrigle Sisters for several
concerts.
"I don't like being on the road much," he admits, "but
that's part of the job. I like to play and I like to entertain
and I like to write songs. In performing, I want people to have
a thoughtful, good, fun time. Ideally, in 75 to 90 minutes, people
will be moved, amused, incensed and annoyed. I want them to leave
with a sense of having seen the world through my eyes."
Those would be the very quirky eyes of the man who wrote a ranting
ode, "The World (Oh, the world is a terrible place,)"
accompanied by the normally carefree sound of a banjo, as Wainwright
says, "just to piss Pete Seeger off."
Loudon Wainwright III performs at 7:30 p.m. Sunday, October
4, in the Temple of Music and Art, 330 S. Scott Ave. Karen
Capaldi opens the show. Tickets are $13 and $15, with a $1
discount for In Concert! members. Tickets are available at Hear's
Music, Antigone Books or by phone (with a $1 fee) at 327-4809.
For information, call 327-4809.
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