HIGHWAY CRAWL: Tucson's own sultans of brass funk--otherwise
known as Crawdaddy-O--headline a send-off party on Saturday, October
24, for their first American tour. It's great to see yet another
band of music-minded Tucson renegades on the march.
And what a march it is: Crawdaddy-O's pending pilgrimage will
take them from El Paso and Austin through Little Rock, Charleston,
and all the way to Times Square, where they'll be the only Arizona
band appearing in the CMJ MusicFest '98. The MusicFest showcases
for four nights, with live performances by up-and-comers in some
60 venues across New York City.
For those outside the loop, Crawdaddy-O is a five-piece brass
bunch that melds the New Orleans sound with funk and swing.
The bon voyage bash will include the soulful Sapphire Kieft,
the Irish jigs and Celtic harmonies of Morrighan, and eclectic
rock with the Whiskey Dicks.
The wild rumpus begins at 8 p.m. at Nimbus Brewing Co., 3850
E. 44th St. Admission is $5. For information, call 745-9175.
UNCERTAIN CELLULOID: Hollywood writer/director Sean Michael
will be joined by cabaret singer Charley Geary and cast for the
screening of their film, shoulda...coulda...woulda, presented
as part of the Tucson Gay and Lesbian Film Festival.
Shot in only three days, with sequences in black and white as
well as color, the 34-minute film takes a comedic look at three
separate moments of truth in one man's "look-but-don't-touch"
coming-out years. The light-hearted story details what Josh (Paul
Katani) "shoulda...coulda...woulda" done if he had it
to do all over again.
A series of shorts opens the show at
4 p.m. Saturday, October 24, at The Screening Room, 127 E. Congress
St. Admission is $5, free for anyone age 23 and under. For information,
call 622-2262.
BIG PICTURE: In his new exhibit, Vestiges: Wilderness
in Arizona and New Mexico, Michael Berman reminds viewers
of the pure aesthetic and power of the "natural site,"
using large format portrayals of the desert.
Now showing in Etherton's Temple Gallery, the works are devoid
of ecological or social dogma, satisfied instead to simply capture
the essential landscape beautifully measured by its own time and
inherent order. His settings are the places draped in shadows,
weathered by millennia, and changed by a succession of seasons.
They're habitats where plants are not adapted or planted, but
rather scatter or circle according to the dictates of wind and
wilds.
Berman achieves this using various media, including painting,
drawing and photographic installation. He participates in the
romantic tradition of Western landscape photography, signifying
nature in its most primal state. To the artist, that obviously
means a place belonging neither to photography or reality, but
just a site he inhabits as an emulator, imitator and innovator.
Vestiges shows through December 2 in the Temple Gallery,
330 S. Scott Ave. Hours are 10 a.m. to 6 p.m. Monday through Friday,
and prior to ATC performances. Call 624-7370 for information.
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