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Author James Lee Burke Brings A Taste Of His New Iberia To The Old Pueblo.
By Mary Tutwiler
THE FIRST TIME I met James Lee Burke he was hunched over
my dinner table, weeping. Actually, we were all mopping our eyes,
reaching blindly for water glasses, hiccuping and gasping with
infectious mirth as Burke, unable to finish his tale, helplessly
loosed peals of laughter. A consummate storyteller, Burke also
constitutes his own best audience.
The author has blazed a tough-guy trail through the swamps of
south Louisiana, setting 10 Dave Robicheaux mysteries in his family's
home town of New Iberia. His lyric descriptions of this world--circumscribed
by the Atchafalaya Basin, Bayou Teche and Vermillion Bay--meld
the historic, modern and fictional landscape into a world of spooky
natural beauty inhabited by Cajuns who are both canaille
(shrewd) and innocent; a world under siege by the violent, the
greedy and the corrupt, "the dark players," Burke calls
them.
Iberia Parish Detective Dave Robicheaux steps in, novel after
novel, to protect his community, his family and the country values
that are as fragile as the marsh before the maw of a dragline
or the punch of a drilling rig.
The Edgar Award-winning novelist sat down at my table because
I happen to live in his Aunt Roberta Burke Voorhies' house. More
immediately, he's at our table because my husband teaches his
nephews and nieces. Burke came to school to give a reading, and
my unflappable husband, who's the head of the English Department,
nonchalantly invited his guest and a few faculty fans home for
dinner.
Nothing in the fridge and James Lee Burke, creator of Detective
Dave Robicheaux, coming for dinner?! One panicked phone call later,
I thanked my lucky Louisiana stars for the boucherie down the
street, appropriately named Dave's, which rolls a mean pork roast
with shrimp and rice stuffing. The butcher tossed in a few links
of boudin, a fiery local sausage, and some cracklins--suitable
fare for Dave, who knows where to stop for the best cooking in
town.
Burke walked through my front door wearing a plaid shirt, jeans,
scuffed boots and his trademark Stetson. With his round face and
brown eyes, he looks like a slightly more weathered version of
his cousin, 13-year-old Edmond, who lives across the bayou from
my dock. Determined to support his family as well as pursue a
writing career, Burke has worked as surveyor, social worker and
college teacher all over the West--Texas, Colorado, Missouri,
California and Montana--for so many years that the cowboy garb
didn't seem out of place on his frame.
There's nothing formal about Burke. He comes on with the friendly
gaiety of a golden retriever, a roll in his walk and an accent
I can't place: It's made up of a little bit of a lot of places,
but it's just right for storytelling. Burke peered into a front
bedroom and started right in.
"When my Aunt Roberta was quite old, she would lie in bed
here and say she heard children. She called to the cook, told
her to bring milk and cookies, the children were hungry. This
went on for years."
At that point I got the ghost shivers. This was my bedroom Burke
was inhabiting with restless spirits. It turns out that this house
was the first kindergarten in New Iberia, and little Roberta Burke
along with her husband-to-be, Francis Voorhies, learned their
ABC's in the front parlor.
We wandered down the hall to the back door, where he creaked
open the screen, looked into the expanse of backyard, and asked,
"Where's the gazebo?"
Frissons again. For those familiar with the landscape of Burke's
New Iberia, a gazebo located in the backyard of an old cottage
on Main Street is where Drew Sonnier drove a nail through her
hand in order to implicate bad-guy Joey Gouza in A Stained
White Radiance.
A long-time resident of Missoula, Montana, Burke has just finished
construction on a bayou-side house in the town that meant home
and family to him as he grew up "bouncing around all over
the Louisiana and the Texas Gulf Coast," traveling the oil
and gas circuit with his parents in the 1950s. The new house is
traditional Acadian style, brick, unlike the 100-year-old cypress
house Dave inhabits. He's keeping the big house in Montana, but
he's sent cartons of books to fill the shelves in his new writing
studio, and "Christmas will be on the Teche," he said.
Sounds like Burke is moving back home.
"I used to visit my grandparents, Walter and Bertha Perry
Burke, every summer," he recalled, looking out at the backyards
that roll down to the Teche. "Their house is over there,
three doors down. My cousin Andre (Dubus, also a novelist) and
I spent a lot of time digging for treasure under the live oaks.
"There was a pair of twin live oaks down by the bayou, where
Jean Lafitte used to moor his lugger and have slave auctions,"
he continued. Legend also has it that Lafitte buried treasure
in a black sugar kettle on the spot of the slave auctions. The
oaks, Lafitte, and the buried treasure, along with its taint of
corruption, show up in Burke's Burning Angel.
"When I was a kid, the whole back yard looked like a mine
field. People came up the bayou at night and dug for gold. It
used to make my grandfather furious. Of course, Andre and I didn't
help," Burke said, breaking into his contagious laugh.
The oaks still stand, towering over Bayou Teche. Burke's fictionalized
New Iberia is "an edited form of reality," he says,
a fantastic blend of nostalgia for an idealized small town of
the '40s and '50s, mingled with both the mayhem and rebop brought
to the scene by '90s villains such as New Orleans mafioso Joey
"Meatballs" Gouza (from A Stained White Radiance),
or the marvelous jive-talking hustler/ex-mercenary Sonny Boy Marsallus
(from Burning Angel). But as original and vivid as Burke's
bad actors are, the physical world that Robicheaux occupies--main
streets and back alleys, bayou and basin, marsh and long sweep
of sky--serves equally as a player, forming an environment that
shapes the detective's admirable qualities, and brings out the
evil in his adversaries.
A dark current runs through all of the Robicheaux novels. "Anyone
who takes a position against venal forces invites their wrath,"
Burke said. "Challenge their power structure and they'll
come after you."
The synthesis of fact and fiction Burke conjures has a timeless
quality that endears his Robicheaux novels to both locals and
literary travelers. "New Iberia has tried to retain what's
best, tried to keep historic buildings, ancient trees, cemeteries
as the heart of the town," said the author. "I've lived
all over the place. New Iberia has southern manners and at the
same time is a first-name kind of place."
Author James Lee Burke is the guest of honor at a benefit
for the Literacy Volunteers of Pima County. Event includes
a booksigning from 6 to 7 p.m. Tuesday, June 23, at Clues Unlimited,
123 S. Eastbourne. followed by a dinner at 7 p.m. at Nonie's
Cajun Restaurant, 2526 E. Grant Road. A short reading will
follow. Tickets are $40, $20 of which is tax deductible. Attendance
is limited to 35 patrons. Call Clues Unlimited at 326-8533
for reservations and information.
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