By Margaret Regan
GRAY MONTAGUE HAS seen "Caught," David Parsons'
signature dance piece, no fewer than 800 times.
"I never tire of it," says Montague, current executive
director of Ballet Arizona and former executive director of Parsons
Dance Company. "It gets standing ovations all over the world,
from Toledo to Tokyo."
Tsons, sometimes a man or woman in his 10-person company--dances
a typically athletic Parsons work, but with a difference. The
audience never sees the dancer's feet touch the earth. Strobe
lights, says Montague, "create the effect of the dancer hovering
over the stage. They catch the dancer only in mid-leap."
The renowned troupe brings its pyrotechnics to the Centennial
Hall stage this weekend, for the final entry in a UApresents
dance season that has had everybody from Mark Morris to Philadanco
teaching Tucsonans about the inexhaustible variety of modern dance.
For the full-length Friday evening show, the jazz ensemble Turtle
Island String Quartet will provide live music. A shorter Saturday
matinee for families will be performed without Turtle Island.
But both shows include the mesmerizing "Caught."
Montague says Parsons first choreographed the work back in the
early '80s, when he was still a dancer with Paul Taylor, one of
modern dance's greats. Parsons had begun composing his own works
and performing them in alternative New York venues. Taylor eventually
gave the inventive Parsons pieces a showing in the Taylor company's
mainstage season at New York's City Center. So when Parsons spun
off into his own company in 1988, he already had a rep as both
dancer and choreographer.
His choreographic style, not surprisingly, "is influenced
by Paul Taylor. It's highly athletic, entertaining and engaging,"
says Montague, who left Parsons in 1994 to come to Arizona. "It's
not in the tradition of cerebral post-modernism...David is one
of the best choreographers in his use of humor. That's not an
easy thing to do in modern dance."
The company tours nearly year-round. The dancers just finished
up a seven-week engagement at the Sydney Opera House in Australia;
last weekend, they did two concerts at Scottsdale Center for the
Arts. The rigor of all that dancing, Montague says, has yielded
"some of the best dancers in the world. They're perfectly
rehearsed."
The Friday evening show also includes "Bachiana,"
"Union," "Rise and Fall" and "Improvisations."
On Saturday afternoon, the dancers will move through "Envelope,"
"Sleep Study," "Instinct" and "Nascimento."
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