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AT LAST WEEKEND'S poetry festival,one work by citing the
theory (or in her own words, "fact") that even the slightest
alteration in our surroundings changes the entire universe--in
her example, the stick moved from one side of the path to the
other, which for all we know will be the cause of a great storm
in China.
It opens a world of possibility for those who despair that storytelling--poetry,
fiction or otherwise--has degenerated into endless variations
on a theme. And it is just this world that author and UA prof
Elizabeth Evans embraces with her compelling third novel, Carter
Clay.
The story begins with a wrong turn by one Joe Alitz. From that
single, utterly mundane instant, a cavalcade of catastrophe ensues
in the lives of his wife, daughter, mother-in-law, and a host
of strangers (ranging from Floridian retirees and homeless Vietnam
vets to the provincial residents of a mill town in the Pacific
Northwest). None the least of those transformed by experience
is the mysterious Carter Clay.
"In simple terms, Carter Clay is the character who 'makes
the mess' that is central to the novel, but he is not a monster,"
Evans says. "He is an uneducated man with a very sad past
who would--rather understandably--prefer not to examine his life."
Evans (The Blue Hour, Locomotion) has established herself
as a master of detail, and her writing is rife with carefully
crafted sentences that are a pleasure to read. She excels at defining
her characters, and her long, dark and twisted journey provides
settings as varied as the confused and wounded passengers who
inhabit them. Her sense of place is impeccable: a country road
under "a white ache of sky," the manicured world of
Palm Gate Village retirement community, the littered cargo hold
of a speeding van, a back alley, an Arizona home the local reader
can't help but impose on the Catalina Foothills, and the depressing
and claustrophobic woods of rural Washington.
Carter Clay is ambitious and original, if not entirely
consistent. For one, the philosophizing narrator so effective
in the prologue is an unwelcome imposition by the book's end.
It seems that having spun such an interesting web, Evans has difficulty
getting out of it with equal grace. The final chapters, though
tense, feel anticlimactic; and her epilogue reads like the final
exposition of a Twilight Zone episode. But if one is mildly
disappointed at the telling of the story, it's only because the
writing of it is so well done.
Elizabeth Evans will read from Carter Clay at 7
p.m. Friday, April 2, at Antigone Books, 411 N. Fourth
Ave. Call 792-3715 for information.
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