By Margaret Regan
QISHENG ZHANG LOVES dancing Romeo to his wife's Juliet.
"When we dance together we have a lot of feelings that come
out," Zhang reported last week by telephone from the couple's
Phoenix home. "It's a good feeling, especially in our first
pas de deux when the tragedy has not yet happened."
Zhang and his wife, Yen-Li Chen-Zhang, play the star-crossed
lovers in Ballet Arizona's production of Romeo and Juliet
this Saturday night at Centennial Hall, just as they did when
the company brought the ballet to the TCC Music Hall three years
ago.
The contrast between the Zhangs' domestic happiness and the Shakespearean
tragedy is hard to miss. Their baby daughter Emily, 14 months,
babbled in the background while her father talked on the phone,
and the husband frequently consulted with his wife in answering
questions about their personal story. The pair met in the United
States but both are originally from Asia--Zhang from China, and
Chen-Zhang from Taiwan. Both trained in their home countries under
a system that puts talented kids into special arts academies by
the age of 12, Zhang said.
"We did a half-day of dance and a half-day of regular school,"
he explained. "I was trained as a traditional Chinese dancer.
But once I came to America, the opportunities here were in modern
dance and ballet. I chose ballet."
Zhang studied at the Southwest Ballet Center in Fort Worth, where
he met his future wife. The couple danced briefly with the Eugene
Ballet, before coming seven seasons ago to Ballet Arizona, where
they've developed into some of the company's most fluid dancers.
"We're very lucky to be able to be in the same company,"
he said. "And we like it here."
Based on the familiar tale of heartbreak among warring Italian
families, Romeo and Juliet is set to a 1935 score by Sergei
Prokofiev. The company's artistic director, Michael Uthoff, first
choreographed this version in 1980 when he was with the Hartford
Ballet. Most people mistakenly place the ballet among the 19th
century war-horses, Uthoff said, but it really dates back only
to the 1940s, when Russian ballerina Galina Ulanova danced an
influential version.
Uthoff dances the part of Juliet's father, Lord Capulet, and
Paris is played by Andrew Needhammer, who alternated the part
of Romeo with Zhang in last weekend's quintet of shows in Phoenix.
The cast of 35 dancers is decked out in Renaissance velvet, though
in the final scene the doomed lovers are memorably dressed in
austere white.
"My wife and I like the romantic ballets," Zhang said.
"Certainly Romeo and Juliet is one of our favorites.
The music is beautiful. And it's different performing with your
wife. There's more passion."
Ballet Arizona presents Romeo and Juliet at 8 p.m. Saturday, March 27, at UA Centennial Hall. Choreographer Michael Uthoff gives a pre-concert lecture at 7 p.m. Tickets range from $16 to $36 for adults; $14.50 to $32.50 for seniors; and
$8 to $18 for children 12 and under. They're available at Ballet Arizona (1-888-3BALLET), Dillard's (1-800-638-4253) and at the Centennial box office (621-3341).
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