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Author Sonia Sanchez Builds Bridges Between Life And Literature For Local Students.
By Mari Wadsworth
IF YOU AREN'T already familiar with Sonia Sanchez, once
you've made her acquaintance you'll wonder how she managed to
slip through the cracks of literary fame. The 63-year-old poet,
activist and scholar has published 13 books since 1969's Homecoming,
her first volume of poetry; and she's a decorated author--an NEA
Fellow and winner of the International League for Peace and Freedom
Award. She's currently a professor of English and women's studies
at Temple University in New York.
Over the past three decades, Sanchez has been a constant, if
not overwhelming, presence among American writers pushing the
envelope of their craft: With impassioned, politicized prose-poems
and experimental forays into restructuring grammar and written
speech, she's created a living document of African American life--one
that pulses with and rages against a dominant culture of social,
racial and economic inequality, all the while maintaining a unique
voice and a clear vision. With rare skill, she bends and reconstructs
the English language to create a new American language, one that
speaks the mind, heart and soul of some of this country's disenfranchised:
the former slave, the rape victim, the teenage junkie, the suburban
housewife, the AIDS sufferer, and even the articulate, university-educated
black woman.
She's taken great care, both in her writing and her social activism,
to explore what it means to be African American: She unflinchingly
writes and speaks about what it sounds like, what it feels like,
how it bleeds, what it endures, where it lives, who leads, and
how it shapes the identities of a nation of people born into a
society that didn't care about their language or their history;
a nation afraid, even, of those who dared to find out, stand out
and call for change.
Particularly in autobiographical works like the prose-poem collections
Homegirls and Handgrenades (1984), and the more recent
Wounded in the House of a Friend (1995) and Does Your
House Have Lions? (published 1997; and re-released in paperback
this year), Sanchez succeeds in creating art that's both complex
and accessible. By simply recording details like urban ghettoes,
drug addiction and teen pregnancy, marital infidelity, and a brother's
death from AIDS, she asserts that these experiences are worthy
of being told (an obvious, yet until recently often overlooked,
fact). That she does so in a rhythm and language that's unique,
that draws on the African languages of her ancestors, and reaches
out to a contemporary audience not often spoken for in literary
circles, goes a step beyond.
She elevates common experience to art, and in so doing takes
voices marginalized for decades--even centuries--and celebrates
them in humor, anguish, anger and joy. Her individuality as an
African American speaks to the individuality of each and every
one of us; of the hardships and inequities we all must overcome
to grasp who we are and what we're capable of accomplishing, alone
and as a people.
Sanchez is one writer whose art and work are intertwined: She
visits Tucson this week as part of the national PEN Writers and
Readers project, in its first year at Pima County Adult Education;
it's a joint program of PCAE's Family Literacy Project and the
Liberty Learning Center. Sanchez is the second author in the series,
and will spend time in the classroom not only reading from and
discussing her own work, but mentoring and helping students to
focus on their own writing. At the end of the residency, each
student is invited to read their own work, with Sanchez and the
rest of the class as audience. It's a powerful program, which
so far has thrilled program coordinators Kathy Budway and Jessica
Dilworth.
"Literacy is more than being able to read," says Budway
of PCAE's mission. "It's bigger...developing a love of reading
and a connection with literature as something that's relevant
to our students' lives." The PEN project is just one way
to create a bridge between life and literature. "There are
these wonderful authors out there who are (metaphorically) writing
about our students," she says, citing Sanchez as one of them.
The class, mostly adults from their 20s to 40s, prepared for the
author's March 1 visit by reading Homegirls and Handgrenades,
and watching a video documentary/biography on Sanchez borrowed
from the PCC library.
Budway herself was won over by Sanchez' writing a few years ago,
in a writing group which introduced a short story from Homegirls
and Handgrenades. "It was incredible," she recalls.
"We chose it for the class because the language and the stories
are easy to relate to. The students have been very responsive.
One said, 'I'm not so sure I get all of it, but I like it!' " I'll second that.
Sonia Sanchez gives a free public reading and booksigning
at 7 p.m. Sunday, March 1, at Antigone Books, 411 N. Fourth Ave.
Like the Singing Coming Off the Drums, a new collection
of love poems, is available in hardcover from Beacon Press ($16).
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