Zeke and Ned, by Larry McMurtry and Diana Ossana (Simon & Schuster). Hardcover, $25.
By Tom Danehy
THE TWO QUESTIONS most often asked of sometime-Tucsonan
Larry McMurtry are why, with such a distinguished body of work,
does he continue to write at such a frantic pace; and why would
such a wildly successful writer take on a partner at this point
in his career?
The answer to the first is that he enjoys it and has interesting
tales to tell, as witnessed by his ability to wring endearing
and exciting stories out of every stage of the lives of Gus and
Woodrow in the Lonesome Dove series.
As for the second, hey, who knows? People wondered why the Eagles
picked up Joe Walsh. The wondering reached fever pitch when word
of the friction between Walsh and Don Henley got out, but all
that can be said is that friction led to the Hotel California
album. If it works, why question it?
And the literary collaboration between McMurtry and Tucsonan
Diana Ossana works. It worked in the under-appreciated Pretty
Boy Floyd book, and The Streets of Laredo mini-series
screenplay. And it works especially well in their latest work,
Zeke and Ned, a thoroughly engaging tale of a legendary
Cherokee warrior on the run from federal posses, his life defined
and changed forever by an accidental shooting committed not by
him, but by a good friend of his.
As they did in Pretty Boy Floyd, McMurtry and Ossana deal
with a real-life folk hero, fuzzying the edges around the story
a bit, but keeping the main storyline intact, realizing that rarely,
if ever, can fiction be better than fact.
Was Pretty Boy Floyd a misunderstood product of a tough time
or just a petty thug with a good PR agent? The former point of
view is a tough sell, even for a writer as gifted as McMurtry.
But here, he and Ossana have no trouble painting Ned Christie
as a hero, a simple, flawed man for whom we pull throughout the
book.
Ned and his friend, Zeke Proctor, live in the Cherokee Nation,
north of the Red River and west of Arkansas, in an area which
was to forever remain Indian Territory (until oil was discovered
and the U.S. reneged on another treaty and turned it into God-forsaken
Oklahoma).
Both are scratching out an existence in the wild times after
the Civil War. Ned has the notion to marry Zeke's 16-year-old
daughter, the aptly-named Jewel, but fate intervenes in a most
cruel way.
Zeke, who loves his wife, Becca, nonetheless has longings for
Polly, the unappreciated wife of T. Spade Beck, a miserable, mean
old coot who had publicly insulted Zeke. An odd set of circumstances
leads to a gun battle between T. Spade and Zeke, with the only
fatality being the innocent Polly.
This tragic accident will have a profound effect of the life
of Ned Christie, while ironically having almost none on that of
Zeke Proctor.
The Indian authorities want very much to dispense justice, mostly
to maintain order, but also partly to keep the white men from
imposing their own brutal order on the Indians. Zeke will stand
trial, but only if he can live long enough. The bloodthirsty Beck
clan wants him dead, even if they have to extract their revenge
right there in the courtroom.
A brutal confrontation in the courtroom, told by the authors
in a creepily straightforward manner, leaves many lives altered
(and more than a few abruptly cut short).
It also makes a fugitive of Ned, while leaving Zeke a free man.
Ned Christie will evade and confound federal posses for years
to come after the incident, his legend growing geometrically with
each narrow escape.
This is an excellent book, told with heartfelt affection for
Ned Christie, as well as for other characters, most notably the
ill-fated Jewel. It stacks up well with McMurtry's other works.
It's fast-paced, lively and pulled along by razor-sharp dialogue.
As for its being a collaboration, it's a seamless work, smooth
and fulfilling.
Zeke and Ned gives us a look at an obscure chapter in
American history, and is ultimately a most enjoyable read.
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