Millennium Theatre Company's "Lion In Winter" Is A Crafty Choice For Seasonal Entertainment.
By Margaret Regan
FRANCESCA JARVIS is easily the best thing about Millennium
Theatre Company's holiday production of The Lion in Winter.
One of Tucson's finest actresses, Jarvis takes the part of the
indomitable Eleanor of Aquitaine in this historical comedy/drama.
She's a queen who's been locked up for the last 10 years, so her
husband the king, Henry II, can more easily indulge his political
machinations and love affairs. Oh, he does let her out on special
occasions--such as Christmas--ostensibly to keep up appearances
before the people. Mostly, though, he seems to do it so this fierce
old couple can have the pleasure of locking horns once again.
Jarvis gives him that pleasure and more. Eleanor connives and
twists at every turn of the royal drama, and even the audience
can never entirely figure out whether she's the loving wife and
mother she claims to be, or the cold self-serving politician her
family believes her to be. As her calculating consort, Lee Stubbs
nearly matches the capable Jarvis. He has a fierce bellow and
a wonderfully evil smile that betrays Henry's constant Machiavellian
scheming.
The play reunites Henry and Eleanor at Christmas 1183 so they
can argue over which of their three misanthropic sons should succeed
to the throne (this is before the days of primogeniture). Then
there's also the little matter of Henry's devotion to the young
princess Alais of France, with whom he just may want to generate
even more sons. All this provides room for great and witty battles
aplenty.
"I don't like our children very much," Eleanor declares
to Henry at one point.
Unfortunately, the lead actors are as ill-served by their fellow
cast members as the old queen and king apparently were by their
heirs. The three actors taking the parts of the sons each seem
to have concentrated on a single quality and stuck to it: Robert
Gleeman is cold as the warrior Richard, the eldest. Scott Cummings
is bitter as the overlooked middle son, Geoffrey; and Sean Zackson
prowls around like a gorilla as the youngest and dumbest son,
John.
Nevertheless, the script for this 30-year-old play by James Goldman
is deliciously literate. The play is a nice, edgy choice for the
Christmas season, in contrast to the more-expected productions
of A Christmas Carol running elsewhere in town. The playwright
does occasionally dip into contemporary sentiments for comic effect.
Such lines as "Well, it's 1183, we're barbarians," are
funny but tend to disrupt the play's intensity.
And one more thing: This is a play truly set in winter, in a
marvelously designed faux stone castle created by director John
Gunn. But while the characters have the advantage of partaking
in steamed wine over and over to ward off those chilly medieval
drafts, the hapless audience in the unheated theatre has no such
luck. Bring a blanket.
The Lion in Winter continues through Sunday, December
21, at the Historic Y Theatre, 738 N. Fifth Ave. Performances
are at 8 p.m. Friday and Saturday, and at 2 p.m. Sunday. Tickets
are $12 general, $10 for students and seniors. For reservations
and more information call 882-7920.
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