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The Louisiana State Prison at Angola is a place where many enter and few leave. But at least they have the rodeo spirit!
By Gregory McNamee
God of the Rodeo, by Daniel Bergner (Crown Publishers).
Cloth, $24.
ANGOLA, LOUISIANA, IS this nation's version of Devil's
Island, a swampbound expanse of territory larger than Manhattan.
The place, writes novelist Daniel Bergner (Moments of Favor),
is also weirdly beautiful, a tropical wonderland of magnolias,
oak, cypress, and crabapple--hardly the common version of hell.
Yet hell it surely is. Bergner writes of incarcerated men who,
for entertainment and revenge, fling feces at one another, slash
out with homemade weapons, kill and maim. Considered the toughest
prison in a state that Bergner says has "a good claim to
the toughest sentencing laws in the nation," Angola is a
place where many enter and few leave; where the captors behave
with studied brutality, terrorizing the mostly black population.
Looking into a series of charges a few years ago, the Supreme
Court found that Angola's wardens so regularly violated the constitutional
rights of the inmates that it ordered federal oversight of the
prison, including the replacement of the former warden with one
more attuned to modern theories of penology. The newcomer fascinated
Bergner, who spent a year in and around the prison gathering material
for this book. A no-nonsense lawgiver and supposedly progressive
reformer, the replacement warden believed in the possibilities
of redemption and rehabilitation...and, it appears, in earning
a fortune from the unpaid work of his prisoners.
He turned out to be little better than his predecessors, but
the replacement warden had a flair for promotion. One of his innovations
was to establish a prison rodeo that even today draws onlookers
from miles around to see the residents of Angola compete against
sharp-horned bulls for a small cash purse. This rodeo provides
Bergner with a useful framing device for his narrative, but also
with an object lesson in empty symbolism, for the dangerous rodeo
gives little reward but costs its participants dearly.
We owe the prisoners little, Bergner writes, for they have brought
their fate on themselves; yet, he argues, we owe them more than
"a perverse rodeo as a vehicle for self-improvement and a
way to make themselves known." And, he continues in a strong
argument, we owe them better than systematic terror and corruption
of the sort that thrives in Angola, and elsewhere.
It's no classic of social criticism or muckraking journalism,
but God of the Rodeo is an eye-opening journey into a homegrown
hell all the same. It's well worth reading.
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