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Down And Inside With Austin's Fastball.
By Brendan Doherty
AT 3 A.M., somewhere in Europe, the phone rang and rang.
Fastball drummer Joey Shuffield's life would never be the same
after he picked up the phone and his manager told him that his
band's CD, All the Pain That Money Can Buy, had gone platinum.
He went back to sleep, and didn't remember it until the next day.
"We had that as a goal, I remember," says Shuffield
from a hotel in Denver. "It didn't really hit us until we
got back into the States. When we were overseas it was very abstract,
but we returned to play a show in L.A., and during the show, Carson
Daily from MTV surprises us and shows up to give us the platinum
album. I saw the picture and I'll never forget the befuddled look
on my face."
A lot of people were taken aback by the rapid success this Austin,
Texas, trio experienced from their second CD--fueled by the almost
non-stop, coast-to-coast embracing of the first single, "The
Way," in the spring; and the current success of the second
single, "Fire Escape." The infinitely catchy and clever
debut "The Way" shot them from hardworking obscurity
to the top of the charts. Chock-full of drum loops and vintage
synthesizer flourishes, the song exemplifies the album's creative
spirit. A tango beat lulls the listener while vocalist Tony Scalzo
sings an escapist fantasy about two people who just take off.
"They won't make it home, but they really don't care/They
wanted the highway/They're happier that way," he sings. "Anyone
can see the road that they're on is paved in gold." Oddly,
it's a song that almost didn't make the record.
"It was one of the last days of recording," says Shuffield.
"We were going to quit in half an hour, and Tony brought
in this demo tape made with cheesy Casio keyboards. I knew it
was good, but none of us had any idea it would become the monster
hit. None of us thought it was going to be a single, and someone
at the company thought better. Otherwise I wouldn't be talking
to you."
Inspired by a news article about an elderly couple reported missing
in their RV on the way to a reunion, "The Way" was an
almost instant hit. The real-life couple, as it turns out, did
not fare so well.
"The song was inspired from the first article," says
Shuffield. "It has little to do with what happened, which
was tragic. It was a romantic take on what might have happened,
or what they might have done. We don't want to profit from anyone's
misery."
In a similar twist of fate, it was the failure of the band's
first record, Make Your Mama Proud, that made this latest
release. Punkier and more positive, the first release wasn't supported
by the record company. Fastball toured behind it, but it never
took. Shuffield says that guitarist Miles Zuniga was depressed
that it failed. All three of the band members were in their 30s,
and perhaps their chance at success on their own terms would not
come.
"We toured behind that (first release) for 18 months, and
our record company never took it to the radio," says Shuffield.
"You can only go so far. We were all bummed because of it.
We decided to take a different approach to this one. They wrote
demos, and instead of recording what our live show sounds like,
we got together two weeks before the studio time was booked. So
all of the songs were still elastic. We went in with open minds,
and we just wanted to grow musically, which I think we did in
leaps and bounds. Here you got horns, strings, drum loops--it's
sophisticated. So much for the sophomore slump."
And it appears the trend will continue. Hollywood Records had
never had a hit in its history, despite spending $150 million.
But with Fastball, they'll probably keep releasing singles from
the album--which may have a few more salable singles.
The songwriting, though spiked with wit and humor, is darker
than the first release--obsession and escape are recurring themes.
In the album, the song cycle examines a picture of small town
life ("Sweetwater, Texas"); the weirdness of nostalgia
("G.O.D."); the fickleness of fame ("Warm Fuzzy
Feeling"); and the feelings of ill will that accompany the
betrayal of a loved one ("Slow Drag").
"We've all been in bands for 10 or 15 years, working at
this," says Shuffield of the overnight success that was years
in the making. "We decided early on that this was the last
band that we would start from scratch. We've been through the
ringer. You work and work, you get frustrated, and persist. Finally
all of the work pays off. We went from nobody to being a platinum
seller in no time; but in the bigger picture, it took 15 years.
A short time ago, we could only draw 150 in Austin, our hometown,
on a Saturday night. This time, when we come back, we've been
asked to play Austin City Limits."
Fastball performs in the UA Student Union Arizona Ballroom
at 8 p.m. Wednesday, December 9. Tickets are $12, $11 for students,
available in advance at CD Depot, Zip's Music and the UA Student
Union, Room 102. Call 621-5779 for information.
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