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SKA'S NOT DEAD: Nor has it ever been. We all know how fickle
music fans can be. Yesterday's grunge is today's swing is tomorrow's
who-the-hell-knows-what. Ska, which is (some would say) passing
out of its third wave of popular resurgence, has been around longer
than most of the people reading this.
First spawned in Jamaica in the early '60s (The Skatalites, Prince
Buster, and The Wailers, featuring some guy named Bob Marley,
being some of the earliest proponents), ska enjoyed a revival
in the late '70s and early '80s. The second wave was centered
mostly in England, where Two-Tone, as it was called, reflecting
the harmonic mixed-race makeup of the bands and the scene, gave
birth to The Specials, Madness, and The English Beat, amongst
dozens of others. Even in the "down" years, though,
there was always an underground ska scene here in the States.
Virtually every town with a healthy local music scene had at
least one token ska band; so it made perfect sense when, a few
years back, the ever-increasing proliferation of American ska
bands pushed to the forefront of a very crowded national musical
landscape. Aided by New York's MoonSka Records, the American
ska label, the genre gained momentum, until finally, the major
labels caught on and began putting out mostly watered-down versions
of the real thing (can you say No Doubt?).
Which brings us to present day. American ska fever seems to have
had its day in the sun. A local ska booking agent told me recently
that a couple of years ago, all you had to say to any club in
the country was, "They're a ska band," and you were
in like Flynn, with a hefty guarantee, no less; these days, though,
he's having trouble booking even veteran bands who used to pack
any club lucky enough to get them. What does it all mean?
It means that ska has gone back underground, where it started
in this country. The scene seems to be healthier, in fact, than
before the big alterna-radio explosion, because the die-hards
have stuck with it, while some of the johnny-come-latelies have
dug deeper and discovered what real ska is all about. So rude
boys (and girls), wave your flag high and rejoice--Tucson's clubs
haven't forgotten you, as evidenced by two fabulous shows hitting
town this week.
One of the longest-running American ska bands in existence, New
York's The Toasters have been preaching the gospel since
1982, when founder Rob Hingley moved to NYC from the U.K. to find
that the British Two-Tone movement had gone virtually unnoticed
in the States. Determined to turn Americans onto the music he
loved, Hingley formed The Toasters with his co-workers from the
comic book shop he was managing at the time. Sixteen years and
seven albums later, the band is recognized worldwide as the founders
of American ska. (Incidentally, it was The Toasters who also founded
the MoonSka label). The band is currently headlining the Independents
Day Tour in support of last year's release, Don't Let The Bastards
Grind You Down (Moonska Records, natch), which spent countless
weeks at the top of both CMJ's Top 200 and Billboard's
Top 10 Reggae chart.
The Independents Day Tour, which also features Santa Cruz, CA's
Slow Gherkin (Asian Man Records) and Missoula, Montana's
The Skoidats (MoonSka Records), hits The New West Gotham,
4385 W. Ina Rd., at 7:30 p.m. on Monday, November 9. Advance tickets
for the all-ages show are $10, and are available at the club or
by phone at 1-800-638-4253. They'll be $12 at the door. Call 744-7744
for more information.
The other skankalicious ska show hitting town this week is The
Fourth Annual Club Congress Scooter Rally. Petaluma, Calif.'s
The Conspiracy, Tucson's own Warsaw, and L.A.'s
Flogging Molly will all be pumping out the tunes for your
listening and dancing enjoyment, and the amazing array of scooters
in the parking lot will be provided by you, the club's patrons.
If you've never been to one of these events, you're not a true
ska fan. The Scooter Rally goes down on Friday, November 6, at
Club Congress, 311 E. Congress St. Doors open at 9 p.m.,
and admission is $6. Call 622-8848 for more details.
HOT PICK: With the departure of Upstairs Film's Mike
Toubassi, who provided the film portion of Club Congress'
Multimedia Mondays, the club has come to the conclusion that if
it ain't broke, you don't fix it. In other words, the tradition
continues this week with another winning line-up.
The cello-infused delicate pop beauty of Andy Gardner's Wise
Folk Malcontent will headline the show. Appearances
by this highly underrated local band are becoming rarer and rarer,
so don't miss this opportunity to catch 'em.
Opening the show is punk-folk legend Roger Manning, who
spearheaded the New York anti-folk movement of the early '80s
(which is where one Beck Hansen also cut his chops). While Manning
is a solo acoustic performer, he's no mere folksinger; his songs
are complex and wordy pieces played with punk rock intensity,
and his between-song banter is always rife with dead-on social
commentary. Once you see him, you'll be a lifelong fan.
This installment of Multimedia Monday takes place at Club
Congress on November 9. Doors open at
8 p.m., with the films being shown shortly thereafter. Admission
is a paltry three bucks, and you can call 622-8848 with further
inquiries.
LAST NOTES: Surf guitar legend Dick Dale returns
to town this week to a venue large enough to accommodate both
his walloping sound and the crowds that always turn out to hear
it. (His last two Tucson shows both sold out). If you don't know
who Dale is, think back to the opening credit sequence of Pulp
Fiction. Got it? Local power pop purveyors Shoebomb open
this all-ages show, which drops on the Rialto Theatre,
318 E. Congress St., on Saturday, November 7, at 7 p.m. Advance
tickets are $15, and are available at Yikes Toy Store, Zip's University,
Hear's Music, and Guitars, Etc. They'll be $18 at the door. Call
740-0126 for more info.
Fresh off The Big Rewind Tour with Culture Club and Human League,
'80s adult-contemporary popster Howard Jones will hit town
this week as part of his own headlining tour. The songsmith, best
known for his radio hits "What Is Love," "No One
Is To Blame," and "New Song," has just released
a new album, People, on Ark 21 Records. Jones' band for
this tour includes guitarist Robin Boult, bassist Nick Beggs (Kajagoogoo),
and drummer Kevin Wilkinson (Squeeze).
Jones will be appearing at the Rialto Theatre on Friday,
November 6. Tickets for the show are $17 in advance, and may be
purchased at Yikes Toy Store, Zip's University, Hear's Music,
and Guitars, Etc. Expect to pay $20 at the door. Doors open at
7 p.m. Call 740-0126 for details.
Attention record-collector scum (a term of endearment among whose
ranks I count myself)! Don't miss this year's installment of the
Tucson Record Show, which takes place on Saturday, November
7, at the Eagle's Lodge No. 180, 1530 N. Stone. Last year's
show was a music freak's Valhalla, with thousands of rare records,
CDs, tapes, videos, posters, and other random memorabilia available
for purchase at (mostly) surprisingly affordable prices. This
year's show promises to be even bigger, with dealers attending
from all over Arizona and California. Early bird admission (at
8 a.m.) is $4. From 9 a.m. to 4 p.m. admission is $2 or $1 with
two cans of food to be donated to community food banks. Call Pepe
with questions at 798-1668. See ya there.
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