Don't Call Acoustic Guitarist Alex De Grassi A 'New Age' Wonder.
By Dave Irwin
I LIKE MUSIC that embodies both qualities of intensity
and the unknown with a sense of meditation," says guitarist
Alex de Grassi. "I think sound in general is a vital force
in everybody's life, whether they realize it or not. There are
all those ancient historical references to sound and vibration
in the world being so vital to life. Playing music is a natural
extension of expressing something really fundamental, the need
to make a sound or relate to a sound. By extension, you can say
that sound can be used to heal, or put a person to sleep or put
someone in a state of extreme stimulation. It can be put to lots
of different uses."
De Grassi's influences range from British guitarists Bert Jansch
and John Redbourn to Latin American folk music to classical music.
A largely self-taught guitarist, his music also looks to the fingerpicking
style called American Primitive.
"That was a big inspiration," he admits. "People
like John Fahey, Leo Kottke and Peter Lang, and before that, the
old blues guys like Mississippi John Hurt, Reverend Gary Davis,
Bukka White, those were the roots of American Primitive. In the
last 25 years, people have built on that tradition, become much
more eclectic and refined the techniques. What I'm doing has been
kind of refined, so it's not so primitive anymore. It's gotten
more sophisticated."
Because his music is unique and original, crossing and mixing
styles, as well as the fact that he was one of the first artists
signed to the then-fledgling Windam Hill label back in 1978, de
Grassi often finds himself saddled with the term New Age.
"Unfortunately, all these handles turn out to be obsolete
at some point," he explains. "I never heard the term
New Age until after I had made three or four recordings. Before
then, I was just an acoustic guitar player," he laughs.
"As time went by, I found myself stuck in bins in record
stores under New Age. There's not a lot you can do about it, except
turn around and say, I'm not going to do my music anymore, I'm
going to do all jazz standards or I'm going to be a classical
guitarist, or I'm going to become a Celtic musician. It's difficult
in this day and age to be truly original and not get co-opted
into some label or genre that may not really serve you that well."
De Grassi's playing is marked by crisp fingerpicking technique
coupled with a willingness to use the entire guitar in different
ways, a sense of inventiveness much like former Windam Hill labelmate
Michael Hedges, though their styles are vastly different.
"I'm always looking for different sounds," he notes.
"If you can stretch out and include things in the composition
that make sense, then I'm all for that."
He recently released his tenth album, The Water Garden.
"It's been seven years since I've made a true solo guitar
album," he says. "In a sense, this record harkens back
to some of my early recordings. That's because the spirit of it
is like those earlier records."
Describing how his playing has evolved, de Grassi admits, "I
used to have a much more open style of playing. I'd just let it
rip. I've spent a lot of time playing classical guitar in the
last 10 years. It's my study, my practice for improving my technique.
My technique has evolved a lot in the last five or six years,
because I used to play with a thumb pick and I used to think of
myself more as a fingerpicker. I got rid of the thumb pick and
got my nails in good shape. Now I've got a lot more control over
the starting and stopping of strings, more control of the dynamics
and the texture."
De Grassi has added some arranged folk songs and jazz pieces
to his repertoire as a way of stretching out.
"I try to be very open with the musical experience,"
he states. "There are a lot of different valid musics out
there. We like what we like because it speaks to something inside
of us, regardless of what side of the globe it came from or what
genre. We have to find in our music a way of relating to our life."
Alex de Grassi performs at 7:30 p.m. Wednesday, November
11, at the Temple of Music and Art, 330 S. Scott Ave. Guitarist
Alieksey Vianna opens the show. Tickets are $15 in advance,
$16 at the door, with a $1 discount for students and members of
In Concert!, the Tucson Jazz Society, or the Tucson Guitar Society.
Tickets are available at Hear's Music and Guitars Etc. For more
information, call In Concert! at 327-4809.
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