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Even A Shift In The Prevailing Zeitgeist Won't Save This Sophomoric Flick
By Stacey Richter
A LIFE LESS Ordinary is a new romantic comedy from
the team that made Trainspotting and Shallow Grave.
It isn't nearly as good as these previous efforts, but it's
an interesting movie anyway because it's so strange. Like Francis
Coppola's critically reviled but eventually beloved 1982 romance
One From the Heart, A Life Less Ordinary is a visually
lush romance set in a cartoonish America where pretty much everything
that happens is gratuitous, disjointed, and surreal. Love, apparently,
is a very strange, beautifully lit phenomena.
With A Life Less Ordinary, director Danny Boyle and writer
John Hodge take their knack for investigating the dark side of
human nature and try to twist it into a light tale of young love.
The result has a lot of blood and damaged bodies in it, a lot
of punching and hitting, and just one kiss. Those of you wishing
to view Ewan McGregor naked will have to go see Pillow Book;
the emphasis here isn't on eroticism but on the extreme, overwhelming
unlikelihood that love is even possible.
McGregor plays Robert, a janitor and self-proclaimed "dreamer"
who hopes one day to write the great American trash novel. Though
the story seems to be set in Salt Lake City, he has an unremarked
upon Scottish accent--oh well, there's a lot of other weird stuff
going on anyway. For example, a pair of creepy angels (Holly Hunter
and Delroy Lindo) have been assigned to get him and this beautiful
rich girl, Celine (Cameron Diaz) to fall deeply in love; if they
don't, the angels will have to remain on earth as punishment.
The wacky idea of injecting a little heavenly interference in
an earthly romance gives the filmmakers license to introduce all
sorts of fantastic interludes--a giant, animated beating heart,
a karaoke dream sequence, the bureaucratic offices of heaven.
All of this glitzy stuff seems monumentally out of place within
the "main" plot, which revolves around Robert kidnapping
Celine and squeezing her father for ransom.
Like One From the Heart, the little love story is really
secondary to the visual ambitions of the director. It's too bad
though, that the plot isn't more consistent here. A Life Less
Ordinary switches from comedy to romance to late '90s hipster
surrealism like Sibyl rotating between personalities. Robert turns
out to be a wimpy kidnapper--the scenes where Celine tries to
coach him on the niceties of ransom requests (she's been a victim
before) are pretty darn cute, but when the plot starts to warp
into dreams, road sequences, and shoot outs, it just gets hard
to understand--or even care--what the hell is going on.
As out of place as these surreal interludes are, they give Boyle
a chance to do what he does best--work with color. There's a heaven
full of white-costumed police officers, a dilapidated green warehouse
where the angels sleep on Earth, red streamers falling through
a blue sky, aqua light in a dreamy country-western bar--it's all
an unbelievably beautiful, saturated, and utterly pointless use
of color. But hey, if it looks this good, does there have to be
a point? There are certain cupcakes worth eating just for the
frosting.
Despite the fact that the heavenly, cupid-like interference is
also pointless, Hunter and Lindo are both such good actors that
they can pull off pretty much anything. Hunter purrs through her
action-girl/angel role like a she's in the NC-17 version of Touched
By An Angel, and Lindo seems just strange enough to be convincingly
non-human. They actually seem more like space aliens than angels,
and maybe they are. All we know for certain is they come from
someplace white.
McGregor and Diaz, on the other hand, are notable primarily for
being adorable. It's always disappointing to see a love story
where the characters don't seem to like each other, and this is
one of them, though this may not be entirely the fault of the
actors. Celine's character is hopelessly spoiled--she's absolutely
crushed when her credit card is declined. A description of Celine
as "glamorous pussy" doesn't do much to deepen her appeal
either, and half the audience groaned at this comment. Robert
is sweet-natured but boring-- really boring, not to mention badly
costumed in an ugly pastel shirt. What kind of glamorous pussy
worth her platinum card is going to fall in love with that?
The movie ends with Celine and Robert directly addressing the
audience about the nature and meaning of love--two glowing heads
waxing philosophical while scenes from the movie we've just
seen flash in the background. This has got to be one of the
most embarrassing film moments of the year--sophomoric, self-congratulatory
and stupid. Up until then I thought that maybe in a few years
something could shift in the zeitgeist and A Life Less Ordinary
would start to look sort of sweet and hip, in a goofy, late-nineties
way. But then I realized all was lost.
A Life Less Ordinary is showing at Catalina
(881-0616) and Century Gateway (792-9000)
cinemas.
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