By Margaret Regan
ELIZABETH HEICHELBECH'S NEW one-act play is about ballet,
sort of. Featuring Heichelbech and two other actresses in "ridiculous
tutus," Little Words is "more about the comic
potential of ballerinas," she says with a giggle.
It may be naughty for Heichelbech to make fun of grown women
in pointy little shoes, but she's earned the right. She was a
serious ballerina for marev3: t only as a little girl at the barre,
but as a professional on the stages of the ballet companies in
Louisville, Lexington, St. Louis and Indianapolis.
Right now, though, Heichelbech considers herself an interdisciplinary
artist, and she has a show this Saturday night to prove it. She's
directing, producing and performing TILT, short for Total
Interdisciplinary Live Theater.
Not only will Heichelbech perform in the ballet playlet (along
with acting buddies Sara LaWall and Margy Wilson) she also wrote
the script and directs. She'll also do a solo modern dance piece
inside and outside a giant plastic bag ("the kind futons
come in"), and she'll lead a nine-member cast in a performance
piece that entails putting objects into a giant fishing net. The
audience will be issued soap bubbles, she says, and "we're
hoping that they use them."
Why the switch from classical to free-form?
"All my life I wanted to be a ballerina," Heichelbech
explains. A native of a "piss-ant town in Kentucky,"
she went to the University of Louisville for two years and then
quit to go ballet pro. But after a few years on the dance circuit,
"I got more interested in the experimental...My interest
lies in the middle, between theatre and dance."
Heichelbech left the ballet and headed for Tucson, where she
quickly found herself playing to good reviews on the local theatre
scene. She was the unhappy wife in IT's Stepping Out, a
delicious comedy about an amateur tap-dance class (she had to
dance down to look like a clunky beginner), and she played the
lesbian sister of the groom in Five Women Wearing the Same
Dress at Borderlands.
Eventually, she went back to school, undertaking a triple specialization
in creative writing, modern dance and new genre in the UA's interdisciplinary
studies program. She'll graduate in December. Dancing on occasion
with the UA Dance Ensemble, she discovered in an uncharted piece
that "improvisation is a blast."
"Improvisation in Three Speeds," her Saturday dance
piece, is a "free-form dance, not really choreographed. As
far as what is actually going to happen, I don't know. I have
a basic structure, but no music."
Likewise, the performance piece, "The Dredgers," a
structured improvisation, is partially left to chance. "Nine
of us carry things through the audience. The goal is to get things
in the cargo net...We don't know if that's gonna work. But I hope
it will be fun and theatrical."
Besides performing, writing and directing the concert, Heichelbech
is also producing. She's paying for it with some designated scholarship
money, ad revenues from the program, in-kind donations and, she
hopes, ticket sales. She's nervous, of course, but she has confidence
that TILT is something distinct.
"I haven't seen anything like it before."
TILT takes the stage at 8 p.m. Saturday, October
24, at the PCC Proscenium Theatre, 2202 W. Anklam Road.
Tickets are $8 at the door; $6 in advance at Antigone Books, Bentley's
House of Coffee and Tea, and the box office. For more information,
call 206-6988.
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