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'Tribute' At The Joseph Gross Gallery Celebrates 20 Years In Tucson's Art History.
By Margaret Regan
IN THE BEGINNING, there was the Educational Gallery. It
was just a classroom, number 312 to be exact, in the University
of Arizona art building. This was in the year 1957.
Then the university said, let the art history department expand,
and by 1974 the Educational Gallery was no more. Three years passed--lean,
gallery-less years--until an art professor brought forth a new
student gallery at 830 E. Speedway, in 1977. And in the same year,
Professor Howard Conant and Professor Harold Jones, a photographer,
caused 101 Gallery to be created in the art building.
It came to pass in the next year that a chemical engineering
professor by the name of Joseph Gross endowed the new 101 Gallery
in memory of his father, Joseph Gross Sr., and its name was changed.
From that day forward, with only one long interruption in the
early 1990s, the UA has had Joseph Gross Gallery, to show the
work not only of students and professors, but of artists known
around the country. The hiatus was occasioned by a happy event:
Liberated from classroom 101, Joseph Gross moved in 1993 to a
brand-new structure of its own, bringing with it the old 830 student
gallery, which was re-christened the Lionel Rombach Gallery.
A squat, square block of a building, Joseph Gross protrudes out
of the art building into the plaza near the University of Arizona
Museum entrance. In 1996, Alfred Quiróz's mural students
painted on its upper perimeter a colorful frieze that illustrates
nothing less than the whole history of world art.
Inside, the Gross Gallery may not always be quite so all-encompassing,
but its 188 exhibitions over the years have certainly tried. The
gallery has covered everything from the art of Shanghai to grad
student shows to Mat Bevel's one man art attacks; and every genre
from sculpture, painting and photography, to video, installation
and performance art.
Tribute, the current exhibition, celebrates the gallery's
20th anniversary. While the show doesn't hint at some of the gallery's
wilder times--all the works are on the wall, after all--it does
gather fine works by 12 artists who've exhibited there over the
years, including Tucsonans Jim Waid, Bailey Doogan, James G. Davis
and Bruce McGrew. Gallery director Julie Sasse has also traced
the site's eclectic history in a display of memorabilia, and in
a prodigiously researched catalog that lists every single Joseph
Gross show. The lists she's compiled make for a virtual who's
who of Tucson artists, many of whom showed there in grad-student
days, among them Cynthia Miller, Ann Keuper, Chip Pique, Joanne
Kerrihard and Gary Benna.
A careful reading of the exhibition titles traces the not-always-understood
connections between a curator's own concerns and the shows that
actually get up on the walls. For instance, Joseph Gross opened
up to cutting-edge feminist art in the early '80s, when it was
run by Joanna Frueh, now a well-known feminist performance artist
and art historian. Mat Bevel and performance artist Ellen came
in when Gregory Sale, himself a performance and installation artist,
directed the space in 1994 and 1995. Sasse, coming from a background
in commercial galleries, has been on the job since then. She's
worked toward a varied program, with plenty of MFA and professorial
artists, interspersed with outsiders of reputation, such as photographer
William Wegman and painters William T. Wiley and Anne Coe.
The posters and announcements from the early years are particularly
intriguing. There were annual summer Banana shows in the
late '70s and early '80s, when Jones was running the place. Artworks
had to include a banana image. Photographer John Schaefer, the
ex-president of the UA credited with the founding the Center for
Creative Photography, and best known for sleek Southwest architectural
photography, contributed a shot of Bailey Doogan as Whistler's
Mother, devouring the yellow fruit.
Then there are reminders of careers at mid-stream or in the making.
Todd Walker, the pioneering photographer and UA prof who died
this summer, won a "faculty award" show in 1981. That
same year, the artist formerly known as Margaret Bailey Doogan
exhibited "female series drawings." Now known as Bailey
Doogan, she's continued to create searing art of the aging female
body, as her current one-person show now at the UAMA demonstrates.
Doogan, a UA prof who will retire this year, is in the Tribute
show, too, with "Ex Cathedra," a startling oil on linen
that places a naked woman in the pope's (invisible) infallible
chair.
The late photographer Hannah Wilke, who showed her "performalist
self-portraits" at Joseph Gross way back in 1984, shared
Doogan's passion for re-visioning the female body. The current
show exhibits three of Wilke's color photographs, self-portraits
of her ailing body shot not long before her death in 1993. Dovetailing
eroticism and illness, she's posed herself naked on white bed
sheets in what would be conventional cheesecake shots--peering
over her shoulder, curving her arm over her head--but she wears
a hospital wrist band and big, white hospital dressings are attached
to her flesh.
Tribute is strong in painting, too. Kevin Sloan, a former
star student (he got his master's at the UA in 1984) who's now
a nationally respected painter, contributed the 1997 "Abundance,"
a sensuously painted acrylic on canvas that combines classical
landscape with illusionist still life. Timothy McDowell, a 1981
grad of the master's program, is represented by "Corrected
Orbit," a 1998 encaustic on birch that's an elegant abstraction
in yellows and purples. Bruce McGrew, another UA prof who plans
to retire at the end of the school year, is showing "Desert
Flux," a sumptuous oil on canvas. In McGrew's curving greens
and purples, the desert's forms are close to disappearing.
"Portrait of Joe Gross," a 1993 oil on canvas, is painter
James G. Davis' own tribute to the man who has done so much for
this little corner of Tucson's art history. Seated in front of
a background painted in strong diagonals of gray and black, Gross
is at a modern desk. He's ready to work, but he's surrounded by
the things that he loves: Art history books stand everywhere in
orderly rows, and circling all around him, on walls and cabinets,
is a constellation of prints and paintings.
Tribute: 20th Anniversary Exhibition continues
through Thursday, November 12, at the UA Joseph Gross Gallery,
in the Fine Arts Complex southeast of Speedway and Park Avenue.
Gallery hours are 10 a.m. to 5 p.m. Monday through Friday. For
more information, call 626-4215.
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