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Despite A Problematic Script, Invisible Theatre Creates An Entertaining Comedy.
By Dave Irwin
SYLVIA, A.R. GURNEY'S update of the old "boy-and-his-dog"
story, has problems. Fortunately, the Invisible Theatre production
manages to overcome the author's missteps. From the moment actress
Suzi List bounds on stage in the title role of the street-wise,
back-talking pup, it's obvious she has the audience in the palm
of her paw. List brings enough energy and character to her portrayal
of a sassy pooch caught between insight and instinct that it's
easy to overlook the flawed script.
Sylvia opens IT's 28th season. The production is tightly
directed by IT's managing artistic director, Susan Claussen. Her
fast pace, tight blocking and inventive use of IT's cozy space
all contribute to the melo-comedy's success.
The play opens when Greg (Harold Dixon) brings home a stray dog,
Sylvia, to the New York apartment he shares with his wife, Kate
(Maedell Dixon). Greg is in mid-life crisis, trying to find himself
and distraught over the notion he's reduced to selling investment
derivatives. His empty-nester-with-a new-career wife has already
found herself, now that their children are off to college. Greg
begins a very unhealthy obsession with his new pet, culminating
with losing his job and nearly losing his wife. Kate is understandably
jealous and distraught at home, where her tribulations are a counterpoint
to her rewarding days spent teaching Shakespeare to inner-city
kids.
If Harold and Maedell Dixon didn't play this with at least some
modicum of believability, it would be a shock, since in addition
to being professional actors, they're real-life husband and wife.
Harold gets the juicier role, since Greg gets to have a crisis
and a dog. Maedell is stuck with a role that's essentially a series
of set-ups for her husband's character arc.
The characters of Greg and Kate are fundamentally flawed as written
by Gurney. Greg's obsessiveness with Sylvia is never seriously
questioned. Toward the end, we are expected to believe that a
choice between six months paid vacation in England with his wife
or six months unemployed and alone in their apartment with his
dog is a tough decision. Gurney churns the owner/dog relationship
long after the audience has gotten it, especially since he uses
up most of his funny material early on. In turn, Kate's utter
disregard for her husband's emotional morass while objecting to
his dog ownership is shallow. Kate's late reversal from absolute
abhorrence toward the pup throughout the play to life-affirming
affection after demanding the dog's exile, makes no more sense
than her hostility did.
At one point, you can almost see the author look at his watch
and decide to speed things up. Suddenly, instead of acting, the
couple simply tells us what's happened. Unable to emotionally
resolve the audience's attitude towards his star, Gurney simply
writes her out, then has the characters describe the rest of her
life.
Of course, all the best lines go to Sylvia herself. List, as
the self-indulgent but uncritically loving canine, is a must-see.
Watching her lope across the range from purely primal to all-too
human, is a delight. Claussen's directorial touches in wardrobe
are inspired also, as List's outfits go from scruffy, to a poodle
skirt and finally, to where Sylvia and Greg wear matching jogging
suits.
Paul Vitali almost steals the show in a series of supporting
roles that let him camp it up first as a guy, then as a woman,
and finally as the couple's marriage counselor of indeterminate
sex.
Sylvia, despite script problems, is well worth seeing
for the skilled acting and incredible energy of its cast-- especially
List. Miss it and you might as well beat yourself with a rolled-up
newspaper.
Sylvia, directed by Susan Claussen, continues through
October 11 at the Invisible Theatre, 1400 N. First Ave.,
at Drachman Street. Show times are 7:30 p.m. Tuesday through Thursday,
8 p.m. Friday and Saturday, and 2 and 7:30 p.m. Sunday. Tickets
range from $14 to $17.50. For reservations and information, call
882-9721.
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