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Squirrel Nut Zippers
Perennial Favorites
Mammoth
FOR PROOF THE Squirrel Nut Zippers are--if not original--at least
removed from the zoot-suited swingers they get lumped in with,
here's Perennial Favorites. The band's third album comes
complete with a weepy old-time country ballad, a sleepy tango,
a New Orleans romp, a creepy klezmer/vaudeville show tune, a mechanically
manic cartoon soundtrack, and (for good measure) another calypso
like last year's popular "Hell."
Recorded at home and featuring a mix of old and new material,
Perennial Favorites is surprisingly slight and hodgepodge
for a follow-up to million-selling Hot. But over the long
haul, Perennial Favorites might end up the group's most
important record: a small, dark masterpiece in the shadow of its
better-selling predecessor. That's because the record finds the
Zippers spreading their wings, pulling their hair, and laughing
at themselves. More, Perennial Favorites captures the band's
music exactly as it should be: like the creak of a dusty old chest,
opening to reveal a pirate map of forgotten American treasure.
Fresh out of the box, and already a lost classic.
--Roni Sarig
Bio Ritmo
Rumba Baby Rumba!
Triloka/Mercury
JUST AS THE so-called neo-swing bands aren't aiming to attract
jazz purists, Bio Ritmo probably isn't planning to sow roots in
Spanish Harlem. By indulging in a little Ricky Ricardo schtick,
Bio Ritmo--a group more likely to have played with Dave Matthews
and Gwar than any Afro-Cuban all-star--aims to cross over as only
a salsa band from Richmond, Virginia, can. To his credit, the
band's Cuban-born songwriter understands his audience well enough
to offer a set of catchy melodies, sung mostly in English, that
don't aim to inspire anything more than some dance-floor hip-swaying,
and smiles all around. When the band plays it straight, it relies
on clichéd riffs that even competent playing can't pull
off. But songs like the salsoul phone-dialer "Call Me Up
(644-7215)," and the goofball Caribbean "Ugly"--inherently
inauthentic pop-hybrids--succeed most convincingly. Like their
friends and tourmates Squirrel Nut Zippers, Bio Ritmo transcend
rote revivalism by allowing their natural eccentricities--and
modern inclinations--to strut.
--Roni Sarig
SAND RUBIES
Return Of The Living Dead
Contingency
FUNNY HOW THINGS work out. After fence-mending and regrouping,
the band's powers seem to have been magnified, resulting in a
reunion album that's reflective (as befits maturity and hindsight),
but in no way restrained. The epochal desert-rock sound that is
their forte may be maligned by certain reactionary locals who
were weaned on grunge, but it's telling that when a Rubies' tune
comes over the airwaves it's as cool as hearing an old favorite
by the Who, the Stones or Neil Young. Here, signature tunes include
a raucous, chunky-guitar garage number, "Turn Off Your Stereo,"
and an astonishing dark ballad, "Undone Again," which
burns with enough sadness and regret to permanently light the
candles of a barrio memorial. A handful of tracks originally recorded
around '92 during sessions for the Sand Rubies album are included,
as are a pair of unexpected covers: a hectic, punkish reading
of "You Can't Put Your Arms Around A Memory," and Del
Shannon's "Stranger In Town," which bears an indelible
Tom Petty stamp (small wonder--it was recorded by the Heartbreakers'
Mike Campbell). But throughout, what comes through the loudest
is that rarest of chemistry that makes bands great. Not necessarily
successful or famous; that's up to fate (and marketing). But great
just the same.
--Fred Mills
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