'The Mask Of Zorro' Is Everything A Summer Movie Should Be.
By Tom Danehy
A VARIETY OF reasons why The Mask of Zorro may well
be one of the best movies you'll see this entire summer:
1. It's summer, dummy. Summer movies are aimed at the groins
and optic nerves of 14-year-old boys. Name a great summer-release
movie from the past decade. (Okay, Lone Star. Now name
another.) You don't have to work very hard to be one of the best
movies of a certain summer. And this summer seems even more dismal
than usual.
However, this understanding of movie-quality relativity should
not serve to damn Zorro with faint praise, because it's
a hoot--a jaunty action flick with clever dialogue, a pleasant
dearth of special effects, jaw-dropping stunts, and not one, but
two, Zorros to root for. And root we do.
2. Anthony Hopkins. The Oscar-winner has been playing the Serious
Actor for the past several years, but with last year's The
Edge and now Zorro, he's finally shown his willingness
to stray a bit. He's absolutely delightful here as the real Zorro,
an aging Don Diego whose life has been ruined by the splendidly
evil Don Rafael (Stuart Wilson).
Hopkins is wonderful as the beaten-down-but-not-beaten, angry-but-not-reckless
former hero who still has a lot of heroism left in him. He steals
this movie with an effortlessness reminiscent of the casual thievery
perpetrated by Sean Connery over Harrison Ford in the last Indiana
Jones movie.
Two decades earlier, Rafael killed Don Diego's wife, whom the
scoundrel loved but couldn't have. He then kidnapped the couple's
infant daughter to raise as his own, and, for good measure, saw
to it that Don Diego would spend the next 20 years or so in prison.
Well, Don Diego is back and he's found the perfect student to
mold into his successor. The petty thief Alejandro (played with
a winning absence of macho posturing by Antonio Banderas) has
his own reasons for going after Don Rafael, not the least of which
is the stunning Elena (Catherine Zeta-Jones), all grown up into
a real pistol of a woman.
Even the aforementioned 14-year-olds will see early on that Elena
will eventually find Dad and amor behind the two masks of Zorro;
but getting there is a great ride, filled with surprising humor,
dazzling action sequences, and characters whom we care about despite
their almost cartoonishly delineated goodness.
3. It's not Armageddon, on a variety of levels. Those
of us who staggered out of the asteroid flick with a Yeah,
and...? attitude realize that computer-generated special effects
have painted filmmakers into a corner. We've seen it all and we
don't want to see any more.
Zorro gives us things we haven't seen in a while: killer
stunts, for one. This may be hopelessly retro, but watch some
of these tricks and then tell me you aren't amazed by the magic
of movie making.
Even though we know these guys are professional stunt people,
we also know they must be some bad-ass stunt people. There
have been some great individual stunts in movies over the past
decade, but I haven't seen this many great ones in a single movie
since The Road Warrior in the mid-1980s.
It also doesn't have a humorless Bruce Willis, Billy Bob Thornton
with a false gravity borrowed from Mir, and Liv Tyler, the absolute
poster child for Over-Rated. Sure, Armageddon had Steve
Buscemi, the King of Creepy, but that's just not enough.
4. Not much competition at all. Look at what it's up against
in the theaters:
- The X-Files: Could've been a contender in the sexy
chemistry department, but sissied out and interrupted The Kiss
with an alien bee sting?!
- Dr. Dolittle: Ferrets with filthy mouths? Yeah,
that's funny the first eight or nine times, but then what?
- Small Soldiers: Small plot, small expectations,
big waste of time.
- Six Days, Seven Nights: Chemistry? They don't even
have biology. We're supposed to be surprised that Anne Heche will
leave David Schwimmer for Harrison Ford? Who wouldn't?
- Lethal Weapon 4: I love this series, but the new
installment has been out two weeks and even I haven't bothered
to check it out. Can we say "tired?"
- Out Of Sight: Only Jennifer Lopez and George Clooney
match the on-screen sizzle of the Zorro pairing of Zeta-Jones
and Banderas. And while the former make sparks fly in the trunk
of a car, we get to watch the latter in a dazzling dance scene
and a sexy duel of strip sword-fighting.
5. Lastly, The Mask of Zorro is just plain fun. It's a
film made with zeal and style.
And more than anything, it's a pleasant surprise. After dozens
of movies and TV appearances, it appeared that the Zorro
franchise was long dead. That the people involved in this project
could breathe new life into their characters is to their credit.
This isn't a great movie. It's probably a bit too long and it
sometimes tries too hard to pay homage to other action movies.
But it certainly fits the bill for what a summer movie should
be.
These days there are only two ways for a movie to succeed: Either
promote it to death in the front end and hope for a huge opening
weekend (Godzilla, Armageddon); or make a good movie,
put it out there and hope it lasts long enough in the theaters
to create a buzz (Out of Sight).
Zorro is going to have to take that second route. If it
can draw people into the theater, they'll leave happy.
Of course, there's always the chance that the target audience
of 14-year-old guys will get a glimpse of Zeta-Jones and start
a buzz of their own. Optic nerves and groins, indeed.
The Mask of Zorro is playing at Century Park (620-0750),
DeAnza Drive-In (745-2240), El Dorado (745-6241)
and Foothills (742-6174) cinemas.
|