|
LILITH FAIR-TO-MIDDLIN': Of all of the traveling summer
festival tours--Warped, HORDE, Ozz Fest--the Lilith Fair
is arguably the most broadly defined and eclectic in terms of
musical sensibilities. The groove of Lilith is less a musical
one than a vague metaphysical one. It's a festival of women. On
either side of the main stage were huge banners depicting a fully
exposed Venus de Milo floating on a blue background and surrounded
by tiny, buzzing, presumably male, cherubs.
Women buy their share of music, but you wouldn't know it to go
to most major music festivals--say the Warped Tour or the Ozz
Fest. Enter Lilith. The crowd was easily two-thirds female, and
widely varied in age, economic status and lifestyle. The majority
of men present (few to begin with) had a female escort; and the
males roaming at large seemed oddly polite, as if tempered by
second-hand hits of estrogen. Despite temperatures upwards of
111 degrees, there was, amazingly, nary a bare-chested man in
the joint. Which makes me wonder if most of the toilet seats were
left down as well.
Shortly before the main stage kick-off, a woman with dark, short-cropped
hair, RayBans and an authoritarian air turned abruptly to an acquaintance
in the row behind her and prodded her with an elbow, asking, "So,
who'd you really come to see?"
Enter the success of the Lilith Fair: A line-up with no edifying
principle beyond being composed of either female artists or female-fronted
bands ensures not only an interesting dynamic, but a number of
acts bound to be unknown or unexpected to an equally diverse audience.
The conglomeration of artists represented almost every share
of the market, ranging globally in musical genres. The main stage
artists were, in order of appearance: Liz Phair, Erykah
Badu, Indigo Girls, Natalie Merchant and Sarah
McLachlan. The B stage featured Angelique Kidjo, N'Dea
Davenport and K's Choice. Afternoon shows by 22
Brides, Fisher and Ana Gasteyer were featured
on the Village stage. Viewed from above, the three stages formed
a triangle with the sunburned audience concentrated pinkly inside.
Although I had an interest in many of the performers, in all
honesty, my answer to the woman in the RayBans would definitely
have been "Liz Phair." Unlike many of the other performers,
Phair rarely appears live. So her burst into the limelight on
the main stage at Lilith, just prior to the release of her long-awaited
third album, intrigued me. It seemed the sort of booking that
made good marketing sense--Phair and second-stagers K's Choice
lended an alterna-edge that last year's Lilith lacked, and in
the process each gained access to a wider audience.
I'd never seen Phair live, and was curious about not only what
songs she would choose and how she would orchestrate them, but
also how she'd handle the performance given her rumored stage
fright...and if she'd prove worthy of the main stage slot with
her heavy-hitting peers.
Phair's whitechocolate-spaceegg has been "soon-to-be-released"
for the past year, and is finally due in stores mid-August. The
rumors--denied by her label, Matador Records--were that the hold-up
was because the demo was deemed unacceptable, rejected by the
label and returned for major revisions. Journalists speculated
about the effect of her new motherhood on her music and her attitude
(as always seems to be the case when a popular female artist has
a child), fearing that the notoriously feisty Phair may go soft.
When she stepped out on stage in a long, pink-and-blue batik
frock and enormous, white Spice Girl wedgies, I found myself wondering
as well. Backed by an all-male ensemble of keyboards, bass, drums
and guitar, Phair appeared convivial if a bit bewildered as she
launched into "6'1." The band sweetly delivered clean
and largely uninspired pop renderings of "Super Nova"
and "Divorce Song," interspersed with a smattering of
new material presumably from the forthcoming release. The new
songs were heavy on the pop, highly polished and uncharacteristically
upbeat--to the extent that at times I thought Belinda Carlisle
had stepped in.
Although Phair's lyrical style is personal, confrontational and
often poetic, her live performance bore none of this. Her few
feeble attempts to establish a rapport with the audience fell
as flatly as they were delivered. Although she did seem confident
and unafraid, her show of ease appeared forced and she gave the
impression that she was not quite sure what to do with herself
up on that big stage.
Despite her wooden, perfunctory performance, I don't think Phair
lost any fans--but I doubt she gained any, either. By contrast,
Davenport and Kidjo were energetic and engaging on the second
stage (where Phair really belonged), and enjoyed well-deserved
enthusiasm from the crowd. In spite of a lackluster live show,
I'm still anxious for a second taste of whitechocolatespaceegg.
And I'm already looking forward to what's in store for Lilith's
junior year.
LOCAL FIESTA: The release party for the TAMMIES '98
compilation CD, Cantankerous, is now firmly set for 8 p.m.
Saturday, July 11, at the Rialto Theatre, 318 E. Congress
St. Like the disc, the show includes appearances by many of Tucson's
favorite bands--Shoebomb, Greyhound Soul, The
Phantom Limbs, Funky Bonz, 35 Summers, The
Studrifters, Sapphire Kieft, Creosote, and TAMMIES
'98 "Band of the Year" Crawdaddy-O. And unlike
the Club Crawl, this show is open to all ages, with the tap flowing
for those with ID. Tickets are a slim $4 at the door. Call 795-1420
for more information.
LAST NOTES: The blues are sizzling this summer at The
Boondocks, 3306 N. First Ave. Miss Lavelle White returns
to the scorching pueblo, appearing at Boondock's Sunday Blues
& BBQ at 4 p.m. on July 5. Tickets are $7 in advance, $5 for
TBS members. Queens, New York, blues outfit Little Mike and
the Tornadoes deliver the maximum blues at 9 p.m. Thursday,
July 9. Tickets are $10 in advance, $7 for TBS members. Call 690-0991
for information.
Tucson's only free, weekly music festival, Monsoon Madness,
continues from 7 to 10 p.m. this Thursday, July 2, with performances
by Greyhound Soul and Tommy Tucker. Stop down at
Winsett Park, in the 300 block on the east side of North
Fourth Avenue. Musicians interested in participating in the Madness
can contact the Fourth Avenue Merchant's Association at 624-5004
for information.
--Lisa Weeks
|
|