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'The Wimpley School,' Lost River Stageworks' Delightful Debut, Suffers From Light Attendance.
By Margaret Regan
TWO ROOMMATES AT cross-purposes are jammed together in
the tiny dorm room at the Wimpley School for Girls. Wait, make
that the Wimpley School for Wayward Girls. Sibyl, the classic
bad girl vying to get expelled from the penny-pinching boarding
school, insists that every inmate has done something bad, real
bad. Dolled up in black leather over private-school plaid, Sibyl
claims to have killed three bothersome roommates already.
Her newest roommate, Vanessa, perky hair in a flip, is suitably
cowed. She bows her head and vows to do her best not to be annoying.
But what Sibyl doesn't know is that the seemingly serene Vanessa
has a little problem of her own: When other girls reject her,
she tends to bring out a nice, sharp ax.
Murderous roommates at odds are just one of the staples of boarding-school
comedy, and playwright Rich Amada deftly juggles a host of others--from
hypocritical headmistress to neurotic math teacher to gin-swilling
gym coach--in his funny new play, The Wimpley School for Wayward
Girls. The comedy opened last weekend at the Tucson Center
for the Performing Arts, the first outing of the brand-new Lost
River stageworks.
Amada, a Tucsonan familiar in local theatre circles, workshopped
the play at this year's Old Pueblo Playwrights New Play Festival
in January. His well-written script ripples with 12 eccentric
characters and an infinity of smart one-liners. But he's added
a twist for the live performance, insisting that all 12 roles
be played by just two actresses. Anne Butman does Sibyl, and Susan
Thomas does Vanessa, but they also tackle everybody else. Thomas,
a veteran of local dinner theatre mysteries, portrays the gym
teacher of indeterminate sex; the administrator who drains resources
from the school to pay for her private Porsche; Sibyl's negligent
mom; and a skirt-chasing janitor. A choruser for Arizona Opera,
Butman turns into the ghost of the school's founder, the white-gloved
Miss Wimpley; a basketball bonehead; the headmistress; and the
hapless Miss Rook, teacher of math.
Both performers seamlessly make the required quick switches from
part to part. Thomas in particular disappears entirely into each
role, altering her voice and posture and costume to inhabit at
one moment the part of the greedy administrator with throaty voice
and sensible heels, at the next the blustery gym teacher in sneakers.
The two-act play is divided into a series of short scenes, and
each personality reappears probably a dozen times. This technique
eventually builds up a sense of the characters, and amongst all
the zaniness there are even a few moments of pathos when we realize
that both students have essentially been cast off by their uncaring
parents.
Director Hal Melfi keeps the skits moving at a quick pace. In
between, a tiny high school-style band pumps out such classics
as "Pomp and Circumstance" and "The Wimpley Fight
Song," a new creation.
Amusing script, capable performers, silly music...what's missing?
An audience. A light-hearted romp like this one demands an appreciative
crowd delivering hearty guffaws. Without that kind of response,
the play doesn't build up the momentum it needs to assay the heights
of hilarity. Sunday's crowd was thin and hopelessly sedate. These
wayward girls deserve better.
The Wimpley School for Wayward Girls continues
weekends through Sunday, June 14, at the Tucson Center for
the Performing Arts, 408 S. Sixth Ave. Curtain is 7:30 p.m.
Friday and Saturday, and 2 p.m. Sunday. Tickets are $10. For information and reservations, call 721-9640.
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