|
BREMEN TOWN MUSICIANS
Quagmire Expedition
(Bremen Town)
PEOPLE WHO TOUT the diversity of the Tucson music scene sometimes
come across more as apologists than supporters--call it the "Well,
At Least We're Not Phoenix" syndrome--while spending precious
little time examining what makes this or that band unique. Maybe
Dennis Mitchell, who with his combo The Wilsons notched a fair
amount of local kudos awhile back, sensed that transparency. He
moved to the Northwest for a spell, put together a new band, and
recorded this exceedingly fine set of tunes before making the
prodigal trek back home to the Old Pueblo.
Well, we're the better for it. Mitchell is an unapologetic pop
classicist, right down to his jaunty swagger through The Kinks'
goofy chestnut "Harry Rag." Vocally, his trembly upper
register suggests a younger, less flamboyant Russell Mael (Sparks),
with echoes of Robyn Hitchcock and ex-Auteurs Luke Haines surfacing
in his singing as well. He weds this to an ironic but romantic
sense of wordplay, a keenly inventive guitar style (Mitchell clearly
grasps rock's Great Riff Imperative) and a knack for hummable
melodies whose hooks sink in deep. And the results, from the creepy
faux tango "The Devil & Me (At A Birthday Party)"
to the sproingy, noir-ish swamp pop of "I Feel" to the
insanely catchy, neo-New Wave rocker "Body Bag" (quite
literally, the best musical anti-depressant I've heard in ages)
are the kind that not too long ago would have had critics tossing
around phrases like "the new Elvis Costello." Cliché
or not, in this instance it's no half-hearted compliment. You
folks better claim Mitchell and his Bremen Town Musicians as your
own before he slips away in the night again.
--Fred Mills
VARIOUS ARTISTS
The Last Soul Company
(Malaco Records)
THERE'S NOTHING presumptuous about Mississippi's Malaco Records
claiming to be the last soul company. Doubters should check out
the six discs in this box-set label overview and compare what
they hear to the weenie pseudo R&B that litters contemporary
radio and CD racks. That a label would continue to support gritty
crooners like Bobby Blue Bland, Johnnie Taylor, Ernie Johnson
and Little Milton is so miraculous as to merit some serious national
endowment funding. While the attitude and production of these
112 cuts are tethered to the late '50s and '60s, the players plant
themselves there out of genre purity, not nostalgia. Many of these
69 artists are still cutting hardcore R&B albums, and when
they warble about cheating spouses and drunken trysts, you're
inclined to believe they're not role playing. Anyone feeling that
hardcore R&B should be belted out by cheapsuit croakers rather
than powdered VH-1 stars will find this set the most important
offering since The Complete Stax/Volt Singles 1959-1968.
--Dave McElfresh
Spade Cooley
Shame on You
(Soundies/Bloodshot Revival)
MASTER fiddler/bandleader Spade Cooley is perhaps best remembered
(though quite sordidly) for beating his second wife to death in
1961 while his 14-year-old daughter was forced to watch. Cooley
was a mean, vicious alcoholic, but you'd never guess it after
hearing the joyous, innocent and highly danceable Western Swing
tunes featured here. Cooley was hailed as the King of Western
California Swing during its '40s heyday and this swank collection
of 25 never-before-released, live, in-studio radio transcription
recordings (used for broadcast but not for sale) from 1944-45
confirm those lofty musical accolades. Showcasing the smooth,
crooning tenor vocal talent of Tex Williams, "Shame on You"
manifests Cooley and Williams at the height of their cooperative
endeavors. Along with Bob Wills and Milton Brown, Cooley was among
the three prime inventors of Western Swing that combined pop,
Appalachian string-band music, cowboy songs, blues, Mexican folk,
polkas and jazz into a harmonious union that appealed to all ages.
Cooley's amazing fiddle work is prominently displayed on such
blazing instrumental workouts as "Swinging to the Devil's
Dream" and "Cowbell Polka." While Williams' velvety-smooth,
aw-shucks voice will cause the hair on the back of your neck to
bristle on tearjerker ballads like "There Is No Sunshine"
and the riveting Top 40 pop-meets-jump blues of "Corrine,
Corrina." Let's face it: Spade Cooley was not a pleasant,
caring human being, but the music he made sure was.
--Ron Bally
|
|