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Comes The Heat, And Actors' Fancy Turns To Humid Humor.
By Margaret Regan
ALONG COMES summer and Serious Theatre turns silly.
Take, for example, Invisible Theatre. Fresh from a searing Holocaust
play, Kindertransport, IT switches to titillating transvestitism
in Pageant, a musical burlesque skewering that most low-rent
of American institutions, the beauty pageant. The gag here is
that the contestants are what hopeful stage moms might call "big-boned."
All six, with names like Miss Bible Belt and Miss Industrial Northeast,
have a heck of a lot more testosterone than estrogen. Previews
May 25 and 26, opens Wednesday, May 27, and continues through
June 14 at 1400 N. First Ave. (882-9721)
Nothing new about Gaslight going goofy, and this summer's show,
Beach Blanket Bee Bop! sashays into the turf of surf's
up, doing a raucous sendup of '50s teen beach flicks. Previews
June 4, opens June 5 and runs through August 15 at 7010 E. Broadway
(886-9428).
A brand-new company, Lost River stageworks (a new incarnation
of Redhouse Theatre Project), premieres with The Wimpley School
for Wayward Girls, by Tucson's own Rich Amada. A "dark,
dizzy comedy" about a troubled boarding school, it opens
May 29 at the Tucson Center for the Performing Arts and runs through
June 14 (721-9640). Live Theatre Workshop takes on Luann Hampton
Laverty Oberlander, a "comedy as big as all Texas,"
running May 29 through June 21 at 5317 E. Speedway (327-4242).
Even the earnest theatre students in the UA Repertory Theatre
turn their noses up at the classics in I Hate Hamlet. Written
by Paul Rudnick, I Hate's about a TV actor who lands the
coveted part of Hamlet in New York's summer Shakespeare in the
Park. Trouble is, the fellow hates Hamlet. The ghost of Hamlet,
in the person of the late-great-Hamlet-player John Barrymore,
is not amused. Previews June 18, opens June 19 and runs through
June 28 in the UA Lab Theatre. The show will repeat in September
(621-1162).
Not to be outdone by New York, the Old Pueblo has its very own
Shakespeare in the Park, staged each year at the DeMeester Outdoor
Performance Center at Reid Park. Shying away from the prevailing
summer-lite winds, the Tucson Parks and Rec company of community
actors will present Henry IV, Part I, one of the Bard's
history plays. It's the story of young Prince Hal, destined to
become king in the more-often-produced Henry V. It's a
serious story, leavened by the antics of Hal's sidekick Falstaff.
The free show runs in the open air July 8 through 12. Bring a
blanket and dinner, and enjoy the dark coolness of a Tucson summer
night. The Q Players, the junior company of Quicksilver, try a
classic too, in the form of a Greek tragedy. Aeschylus's Oresteia,
following last summer's comedy, the Lysistrata of Aristophanes,
opens July 30 and runs two weeks at the Tucson Center for the
Performing Arts (529-2687).
Borderlands also walks on the dark side with Beast on the
Moon, an unusual love story about an Armenian immigrant and
his mail-order bride. Set in 1921 America, the story unfolds in
the shadow of the Armenian Holocaust. Runs July 8 through 26 at
the PCC Center for the Arts Black Box Theatre (882-8607).
But there's no need to wait to see some drama. Tucson Art Theatre,
a well respected, seldom seen local troupe, emerges from a several-year
hiatus this week with Cerceau. A play about six friends
spending a surprising weekend together, it features such familiar
company faces as AnnaMarie Greenwood and Patrick Baliani. It opened
Wednesday at the Cabaret Theatre and runs through Saturday, May
30 (327-7950).
There's still time this weekend to catch the latest Bloodhut,
Only Skin Deep, a seriocomic evocation of ideas about race
and beauty. The Bloodhut women tell their own stories in candid
monologues and silly playlets. Closes with a Sunday matinee at
the PCC Center for the Arts Black Box Theatre (795-0100). Arizona
Rose Theatre Company finishes up its Robin Hood this weekend
too. The new musical plays through Sunday at the Berger Performing
Arts Center (321-1000). Actors' Theatre continues its Night
of January 16th through the end of the month at its eastside
digs, 7000 E. Tanque Verde Road (751-6419).
And Damesrocket continues its monthly series of staged readings
through the hot summer months at its renovated theatre at 125
E. Congress St. The company will tackle Barrio Hollywood,
by Tucson playwright Elaine Romero, on June 29; Carolyn Alport's
Strangers in Egypt on July 27; and an as-yet unnamed new
play by Jeff Schwamberger on August 31.
Stay on the alert for new theatre companies, which tend to appear
spontaneously on the Tucson scene like frogs after a monsoon rain.
Rumor has it that the defunct Millennium, which shut down its
theatre at the Historic Y, will metamorphose into City Players,
based in a renovated warehouse at sixth Street and sixth Avenue.
Hopes are that the first production, Innocence, will make
it to the boards in August.
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