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 A WALK ON THE MOON. I just love New York Jewish culture,
and nothing is more N.Y. Jewish than a summer in the Catskills,
the low-rent vacation area in up-state New York that brought us
"Borsht Belt" humor and tiny lakes with paddle boats
for rent. I also love period pieces, if they get the clothes and
hair exactly right. And I love actors Liev Shrieber, Viggo Mortensen
and Diane Lane. So I couldn't help but love this story about a
family whose vacation in the Catskills in the summer of 1969 brings
their conservative, working-class lifestyle into contact with
the Woodstock music festival. Every element is perfectly 1969,
from the over-sprayed coifs to the stiff, brightly colored blouses
and the free-flowing and dirty style of the neighboring hippies.
And the acting is, of course, spot-on. And there's a charming
and heartbreaking love story. And pretty people getting naked
in the woods. And latkes and matzoh and schmaltz. Oh my.
--DiGiovanna
CHILDREN OF HEAVEN. In spite of the fact that the U.S.
sponsored a bloody coup in their country in the 1960s, Iran still
sends us much better films than we deserve to watch. This latest
from director Majid Majidi is a quintessentially Iranian film,
focusing on the small tensions in daily life and giving them a
sense of urgency and universality. Young Ali loses his sister
Zahra's shoes, and must engage in a difficult series of trade-offs
that bring the siblings closer together. Sparse use of music,
unnaturally apt acting by the child-stars, and a strong sense
of rhythm make this a deeply engaging film. --DiGiovanna
COOKIE'S FORTUNE. Director Robert Altman comes back strong
in this quiet story about confused relations in a southern town.
Charles Dutton turns in a career performance as Willis Richland,
who is falsely accused of murder when Camille Orcutt (Glenn Close)
rearranges things at the scene of her aunt's suicide. Julianne
Moore gives even better than her usual turn as Camille's deranged,
thespian sister. Also featuring the ubiquitous Chris O'Donnel
(perhaps most tragically known for his role as Robin), the fetching
Liv Tyler, the under-appreciated Ned Beatty and the indescribable
Lyle Lovett.
--DiGiovanna
ED TV. A 34-year-old loser accepts an offer from a failing
cable company to have his life broadcast 24-7. Though there are
some good jabs at the loss of privacy occasioned by modern media,
the plot gets muddied in a trite and sexist romance story. Bonus:
Director Richie Cunningham casts his old pal Ralph Malph in a
throw-away charity role! Sadly, Potsie and the Fonz couldn't make
it. --DiGiovanna
ENTRAPMENT. A rather lifeless crime spree, weighed down
by mediocre plotting and a plodding script. Sean Connery stars
as an aging art thief out for one last heist. Catherine Zeta-Jones
emphasizes her assets as a young criminal hoping to get a good
start by falling in love with Connery and stealing
$8 billion. Lots of prancing about in tight clothing, James Bond-type
gadgetry and unlikely sexual tension shove the story forward,
though you'll probably get a better crime drama by staying home
and watching Rockford Files reruns. --DiGiovanna
GO. Go see Go. No, really. I expected this sophomore
effort from Swingers director Doug Liman to suck, what
with its MTV-ready cast and trendy feel. But guess what? It completely
fails to suck. (I hope that gets quoted on an advertisement.)
The film tells the same story from three perspectives, repeatedly
going back to the same event to restart itself, and each version
is very successful. The first tells of a drug deal gone wrong
(just once I'd like to see a movie with a drug deal gone right...I've
known of quite a few real drug deals, and most of them worked
out A-Okay); the second is a crime farce set in Las Vegas, and
the third and best is the story of two male lovers who star in
a TV cop show, and wind up involved with a creepy Amway-dealing
police officer and his libidinous wife (played by Ally McBeal's
Jane Krakowski). The three stories intersect and the film is tied
up as neatly as a Japanese bow. Featuring hot young things Sarah
Polley, Katie Holmes, Jay Mohr and Scott Wolf. --DiGiovanna
IDLE HANDS. The studio decided not to advertise this film's
opening in Colorado this week. I guess that after mercilessly
teasing two mentally unstable boys and then supplying them with
enough firearms to win the presidency of Uganda, the state of
Colorado had been through enough and couldn't face another crappy
teen slasher film. Idle Hands is the story of a pot-head
teenager who finds that his demonically possessed hand is forcing
him to kill his parents and get it on with the beautiful girl
across the street. Lots of bong jokes, dismembered teens and cruelty
to animals enliven this sad commentary on the cultural wasteland
that is inland California. --DiGiovanna
LIFE. The Shawshank Redemption meets Stir Crazy
in this decades-spanning prison comedy. Eddie Murphy and Martin
Lawrence play a couple of buffoons who get framed for murder in
the Deep South. Their incarceration carries them from the Prohibition
Era into modern times, and director Ted Demme takes the opportunity
to mix social observation (it'd be a stretch to call it "commentary")
into the story. This includes surprisingly well-shaded views of
racism. Mostly, though, Life provides Murphy and Lawrence
with scattered opportunities for comic riffing. Murphy does his
funniest, most free-spirited work in years, and Lawrence makes
a likable straight man. It's a shame the movie is so aimless,
but a sloppy Life is worth a dozen tight Dr. Dolittles.
--Woodruff
LOST AND FOUND. This David Spade comedy is a mixed bag.
On the plus side is David Spade, who delivers a series of cruel
and yet self-deprecating one-liners that are almost always funny.
On the other is the over-worked story of the guy who engages in
stalker-like behavior in order to win a woman whose only appealing
characteristic is her extreme beauty. The role of Extreme Beauty
is played by Sophie Marceau, who's extremely good at looking beautiful.
She won the Cesar Award (the French Oscar) for "Most Looking-Beautiful
Woman-Type Creature" (that's a roughly literal translation).
She plays the romantic comedy version of the ideal girlfriend:
she's hot, she speaks French, and she's willing to date assholes.
If the movie was just Sophie Marceau being painfully fly and David
Spade being painfully funny it'd be a four-star knock-out, but
unfortunately there's also a plot about a missing diamond ring,
a pile of dog poop, a struggling businessman who's willing to
act zany to get a loan, and, of course, the romantic pleasures
of lying, stalking, and felony breaking and entering. --DiGiovanna
THE MATRIX. While watching this I turned to my pal and
fellow ex-childhood comic geek Petix and said, "This is the
movie we dreamed of when we were young." He nodded rabidly
before returning his rapt and drooling visage to the screen. Remember
when the original Superman movie came out, and the tag
line was You'll Believe a Man Can Fly!? That was a load
of crap...anyone could see Superman was supported by strings,
and the rest of his superpowers were equally fakey. Well, not
here: Keanu Reeves, Lawrence Fishburne and some B-listers discover
that the world is a computer simulation and that they can reprogram
themselves with abilities beyond the ken of normal folk. They
dodge bullets, leap across tall buildings and fly through the
air and the whole thing looks so cool you'll forget about the
plot holes and story-flow problems and just have an eye-candy
good time. --DiGiovanna
NEVER BEEN KISSED. What an unexpected Beverly Hills,
90210 reunion! David Arquette (remember Diesel, the girlfriend-beating
keyboard player?), Cress Williams (a.k.a. D'Shawn Hardell, token
minority/basketball player/fan of Donna Martin), and Jeremy Jordan
(teen Vanilla Ice, on the 90210 soundtrack album) team
up for Never Been Kissed, 60610: the Chicago years! In
the midst of all this fun is the woman once rumored to be Shannen
Doherty's replacement, Drew Barrymore. This week's topic has to
do with self-love. Poor awkward Josi (Barrymore), a mid-20s copy
editor for the Chicago Tribune, gets a writing assignment
to go undercover as a high-school senior and find the real scoop
on teens. Josi is unable to approach the story objectively because
she was tormented throughout her secondary education as the class
geek, and she has frequent flashbacks that make her vomit. She
confronts her demons with the help of her brother Rob (Arquette),
and finally finds self-confidence through the acceptance of the
popular kids, including the dreamy Guy (Jordan). --Higgins
THE OUT-OF-TOWNERS. In the half-full auditorium where I
watched this dismal comedy, only one viewer really seemed to be
enjoying herself. If you're undaunted by those odds, read on.
Steve Martin and Goldie Hawn play the Clarks, a middle-aged couple
from Ohio who travel to New York City for a job interview. They
encounter one problem after another during the course of the wackiest
24 hours of their poorly sketched-out lives; they get mugged on
the mean streets, unintentionally solicit an audience while having
sex in Central Park (yuck, Steve, close your mouth!) and
accidentally take hallucinogenic drugs. Both roles are thinly
written, yet narrative interest relies upon spectators actually
caring about what happens to them. Like I said, one was the lucky
number at my screening. I myself had better things to think about,
like how far the walk is to the bathroom at those darn monster-plexes.
--Higgins
PUSHING TIN. John Cusack plays a hotshot air-traffic controller
whose suburban life couldn't be more blah. You know: tons of friends,
quiet children, solid sex life (with Queen Elizabeth!), and a
regular table at The Quaintest Italian Restaurant in the World.
But when Billy Bob Thornton arrives on the scene as a rugged Southwestern
controller who uses the Force and is always accompanied by his
own twangy sound, Cusack feels threatened, because he does not
have a twangy sound. Plus Billy Bob really has the stuff, which
includes not only wife Angelina Jolie (who wears a big neon sign
over her head that flashes "Hot, Pouty Sex"), but also
the Infinite Mystery of Manhood as only a guy named Billy Bob
can personify. Cusack becomes so obsessed, you half-expect him
to grow a mustache and buy a leather cap. Instead, Pushing
Tin veers into realms of infidelity, guilt, jealousy, demoralization,
and somehow arrives back where it started, in the world of air-traffic
controllers. It only makes sense in an air-headed sitcom way,
but it remains watchable thanks to the four main actors. They're
so appealing they could throw hamsters at a wall for two hours
and you'd still stay for the credits. --Woodruff
10 THINGS I HATE ABOUT YOU. There are seven Shakespeare
adaptations due to hit the screen this year, three of them starring
Julia Stiles. She'll play Ophelia in Hamlet; Desdemona
in O (a teen-film reworking of Othello); and Katarina
in 10 Things I Hate About You, a high-school romance version
of Taming of the Shrew. Ten Things successfully makes a
feminist flick out of the Bard's most sexist comedy, and does
it while achieving that holy grail of teen movies, intentional
humor. While not the best film of the year, 10 Things is
amusing and distracting, which is more than you get from most
movies. And, of course, no Australians were harmed in the making
of this film. --DiGiovanna
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