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Mystery Writer Lev Raphael Delivers Another Fun-Filled Course In Campus Intrigue With 'Death Of A Constant Lover.'
By Randall Holdridge
The Death of a Constant Lover, by Lev Raphael (Walker).
Cloth, $23.95.
THE THIRD IN Lev Raphael's Nick Hoffman mystery series,
The Death of a Constant Lover is solid as a whodunit, and
the best satire yet of personal and political intrigue on the
campus of a big, state university.
For newcomers, Nick Hoffman is an untenured, gay professor in
the department of English and American Studies and Rhetoric (EAR)
at SUM--the State University of Michigan. Author of only a slim
bibliography of Edith Wharton, Nick holds his appointment by virtue
of his significant partnership with Stefan Borowski, a writer
of highly regarded literary fiction that doesn't sell. Son of
Holocaust survivors, Stefan is a stern, broody fitness fanatic,
the perfect foil to Nick's garrulous, gadabout ways. Despite his
primary preoccupation with his domestic relationship and tenure
review, Nick has a knack for stumbling on campus murder scenes
in the best tradition of the amateur detective.
This time the first victim is pale, pierced Christian fundamentalist
Jesse Benevento, disaffected son of SUM's history department chairman.
The motive for the crime is obscure, since the stabbing took place
in a confused melee after campus jocks and frat boys assaulted
a stranger passing out Bibles on campus. Hapless and homophobic
campus policeman Detective Valley takes up the case, beleaguered
as he is by a campus crime wave: "Rape in the arboretum,
stealing backpacks in the library, lifting wallets at the football
games, getting drunk on Friday night and breaking car windows,
setting bonfires. Flashers. Vandalism. Graffiti. Peeping Toms.
Arson. Drug addicts."
With a piece of masterful misdirection, Raphael turns Nick's
attention--and ours--elsewhere. Specifically, it's time to introduce
the university administrators and EAR department members who will,
in due course, become the suspects. Anyone who's attended a giant
public university, especially graduate students, will be highly
entertained. The operating principle is that the most valuable
function of universities is to provide quarantine for the vile,
whining, misfit megalomaniacs who become college professors.
Stefan is above it all, of course, and Nick is the popular classroom
raconteur who loves teaching more than research, taking improbable
joy from his Solomonic grading of papers written by students in
freshman comp. The rest of the cast comes straight from the Addams
Family, but they are familiar.
College president (and former varsity football coach) Webb Littleterry
believes he's making a sea change in education by his admonition
that students are "consumers," and the university a
service enterprise. Dean Magnus Bullerschmidt, a contender for
provost, dresses in sharkskin suits and carries his considerable
weight like a Mafia don. His rival, EAR department head Coral
Greathouse, intimidates by prim silences; after the murder she
schedules an emergency department meeting so that "Douglas
and Anka Nelson from the Counseling Center [can] talk to us today
about grief and loss."
This department meeting sets off fireworks between Juno Dromgoole,
visiting professor of Canadian studies (dressed always in sleek
black with faux leopard trim), and Lucille Mochtar, the dreadlocked
half-black, half-Chinese Indonesian expert on Toni Morrison (hired
for faculty diversity in the mistaken belief that she is Muslim).
Betty and Bill Malatesta get to represent TAs around the country:
ambitious, overworked, underappreciated and hugely resentful.
A favorite character might be Polly Flockhart, the highly efficient,
always perkily professional departmental secretary who listens
to C&W on the radio and practices astral projection. Less
colorful are "boring Carter Savery and grim, miserable Iris
Bell...Iris was perpetually complaining about being under-recognized
in EAR, and Carter was as blandly self-satisfied as Jabba the
Hutt." Of course, all these people are having sex.
With such caricatures at play, no sacred academic ox goes
ungored. Political correctness, publish or perish, student combativeness
about grades, fluff course offerings, sexual harassment lawsuits,
tenure committees, university/legislature relations, teaching
awards, personnel evaluation files--it's all here: "Being
grounded, being steeped in a subject doesn't count for anything.
Research doesn't mean anything. Slinging around Lacan and Kristeva
and Eve Kosofsky Sedgwick is what matters. The more incomprehensible
and self-important your language, the narrower your focus, the
better." You get the idea, and it's pretty funny; casual,
lighthearted, never a rant.
In addition to his Hoffman mysteries, Raphael has authored
both scholarly texts and literary fiction, and he also takes on
book publishing and marketing--how writers' careers and reputations
are made and broken in commercial terms. Nick's lover, Stefan,
has just learned that his publisher will not accept his sixth
novel, despite academic recognition and a train of respectful
reviews, because his sales are declining. Across the street, Lucille
Mochtar's husband Didier, a former high-school English teacher,
lolls in a hot tub purchased by his half-million dollar advance
for a personal memoir called Sterility, which has been
hyped in Vanity Fair magazine.
Through all this, possible motives for murder have been piling
up. There's a second violent death, Nick bears down, and voila!,
the solution. Puzzle solvers beware--the main clue is both literary
and arcane.
As among women and cowboys, homosexual sleuths are abounding
these days. Nick Hoffman has the usual characteristics: he's fixated
on fine dining, vintage wines, interior decoration and the history
of his relationship with his parents. Fortunately, he's also unembittered
and refreshingly natural, and he has the great advantage to own
a creator who is well-read and witty. In the next installment,
Nick will be teaching a SUM course in the mystery novel, and you
can bet we'll find out just what Raphael thinks about developments
in detective fiction.
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