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CRAWL CLUBBED: I know I warned you last week that the Club
Crawl would be tough to navigate this year with over 100 bands
playing on 25 stages in a relatively small area of town, but come
Saturday evening it was clear that even I had underestimated the
madness.
Roughly 10,000 people converged on the downtown/Fourth Avenue
area for the festivities. While the lines were admittedly formidable,
the constant flow of people helped create some semblance of permeability
as the night wore on. The best deal by far were the outdoor stages,
where crowd sizes could flex from 50 to 3,000.
The performances were definitely a mixed-bag. Such diversity,
however, gratifyingly spilled over into the crawler demographics--seniors
strolled alongside college students, 30-somethings and skate punks,
especially on Fourth Avenue where the neighboring venues housed
everything from acoustic sets to contemporary jazz and high-amp
rock. Take the avenue's tail end, where the quiet, seasoned folk
of John Coinman and Stephan George reportedly offered sanctuary
in civilized Aroma Café, while simultaneously across the
street female vocalist Amber Jade's Ani DiFranco-inspired pop
spilled out of O'Malley's, and a long line of revelers queued
up for the garage band barrage inside The Hut.
Early in the evening we strolled over to 7 Black Cats to catch
Love Mound, who got us all hopped up on adrenaline with
their impressive, wall-rattling brand of heavy, Midwestern-style
rawk.
Attempting to catch Turpentine's set at The Hut, we found
out firsthand why they call it the Crawl. The snail's pace of
the masses got us to the venue just in time to witness the opening
chords of How To Build A Rocketship, who's been on hiatus
in recent months. With a new bassist who also contributes harmonies,
the band was in fine form, switching occasionally from its usual
dual-bass and single guitar lineup to two guitars and a bass to
accommodate the complex arrangements of the songs. I challenge
anyone to find a better pure vocalist in town than the Evil Knievel-garbed
Jason Garthwait (though the mid-song babble, were it to
suddenly disappear, would not be missed). And in true rock fashion,
a snare drum was destroyed halfway through the set. Nice work,
boys.
A few days ago, a friend and I were listening to the new KIXD
(106.3 FM), which, like fellow Weekly writer Tom Danehy,
I've recently become obsessed with. While enjoying Kool and the
Gang's "Hollywood Swinging," my friend commented how
sad it was that nobody plays that type of music anymore. As if
they were there to prove us wrong, we got sucked into Nicklebag-O-Neckbones'
set of old-school funk on the KLPX Blues Stage. With a horn section-n-all
configuration, the Neckbones did a formidable job of reviving
a genre we thought virtually dead in 1999.
After the set we had a few minutes to spare before the midnight
hour, so we strolled over to the Performance Stage to catch the
final set of the night by fire performance artists Flam Chen,
backed by the gypsy orchestra Molehill. While the former
was literally on fire, Molehill was equally fanning the flames
of audience appreciation. And the enormous crowd responded in
kind, fueling the band to another level.
For the final slot of the evening, we threw ourselves into the
melee for a rare performance by the much-fabled pseudo-metal jokesters
in Molten Leather, who were in rare form in spangled g-strings,
sunglasses, and one member's full-hooded leather mask. The boys
took advantage of the audience's confusion to whip them into a
frenzy with a heavy metal supplement rich with irony.
After a quick breather in the Tap Room, we strolled back out
to where we began our night, at the Club Congress Outdoor Stage,
where the always-reliable Frenchmen of the Amor Belhom Duo
played their first welcome-home show since their recent American
tour. The set was dizzyingly good and (unlike the rest of the
places we visited) sadly underattended.
One last Crawl-related note: Two of the bands mentioned above
are playing this weekend, and I highly recommend both. How
To Build A Rocketship takes the stage of the Plaza Pub,
20 E. Pennington St., on Friday, April 23. Phoenix's Honey
Child opens at 9 p.m., and cover is $3. Call 882-0400 for
details.
And the excellent Molehill plays one of their last shows
before breaking for the summer at Nimbus Brewery, 3850
E. 44th St., also on Friday, April 23. Planet Jam will
kick things off around 9 p.m. Cover is cheap, and as usual, pints
are only two bucks. Call 745-9175 for information.
HELLBOUND: While the state of Colorado has become an established
spawning ground for hippie jam bands, this week witnesses an appearance
by a Colorado-based band of a different flavor. The Hillbilly
Hellcats play modern rockabilly music. While that may seem
like an oxymoron, one listen to last year's Our Brand (Rockin'
Cat Records) reveals the truth in labeling.
Heavily influenced by good Rev. Horton Heat (whose former drummer,
Taz Bentley, guests on both albums), the band cops elements of
swing, bluegrass and punk to augment a heavy rockabilly sound.
Add to that crafty, humorous lyrics on such lowbrow topics as
white-trash car culture, mudflap girls and what it's like to be
the only one drinkin' beer in a martini bar, and you pretty much
get the shtick.
You won't uncover any truths about the universe at a Hellcats
gig, but you're sure as hell gonna have a good time. Join us for
worship on Wednesday, April 28, at 7 Black Cats, 260 E.
Congress St. Local yokels James Dead start things off at
9 p.m. Call 670-9202 for further details.
BAND WAGON: In conjunction with the National Indian Gaming
Association's Convention and Trade Show at the Tucson Convention
Center, Tempe's Art-N-Soul Productions present the second annual
Native Jams music festival, featuring three consecutive
nights of some of the Southwest's top contemporary Native American
bands.
The event kicks off with Tohono O'odham chicken scratch, or waila,
at 8 p.m. Monday, April 26, at O'Malley's, 247 N. Fourth
Ave. Headlining the show is Cisco, with Gila River bands
Native Pride and Thee Band opening the show.
The action continues at 8 p.m. Tuesday, April 27, when Phoenix
reggae band Casper From Hopiland headline a triple bill
featuring Albuquerque's Red Earth and Phoenix rockers The
Cremains. Tuesday's show is also at O'Malley's.
Then on Wednesday, April 28, the festivities switch locale to
The Rock, 136 N. Park Ave., where Clan/destine takes
the top spot in an 8 p.m. show with The Ramblers (the latter
includes Hoodoo Kings frontman Mario Moreno), and the Gila
River Community's Eagleheart. All shows are 21-and-over,
and cover is $6 at the door. For more info call 1-602-337-7196.
And finally, ska-swing combo and Slimstyle recording artists
Hipster Daddy-O and the Handgrenades treat Tucson Sidewinders
fans to a post-game performance on Saturday, April 24, at Tucson
Electric Park, 2500 E. Ajo Way. Game time is 7:30 p.m., and
show time should be at around 10 p.m. The concert is the first
in a series of ballpark shows scheduled this season. (Next week,
the Beach Boys--or what's left of 'em--visit the park on
Friday, April 30.) For ticket info call the Tucson Electric Park's
box office at 434-1000.
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