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Brace Yourself For Three Big Productions This Weekend.
By Margaret Regan
THE BILL T. Jones/Arnie Zane Dance Company performance Saturday
night is the highlight of a dance weekend that's all over the
map.
Besides We Set Out Early...Visibility Was Poor, the dance/theatre
piece by the internationally known Jones company, the roster includes
Alice in Wonderland, a playful contemporary ballet by state
troupers Ballet Arizona, and a cutting-edge choreographers' showcase
by the home-town Zenith Dance Collective. It won't be easy to
see all three shows, but dance lovers who steel themselves to
go out three nights running can do it.
THERE'S ONLY ONE chance to catch We Set Out Early,
at 8 p.m. Saturday, April 18, at UA Centennial Hall. In this closing
performance of the season's UApresents' Millennium Project, Tucsonans
have the good fortune to see a Jones work that's practically brand
new: It premiered just last October. Jones is one of the leading
figures in modern dance, a choreographer laden with awards and
beset with controversies: The child of black migrant workers from
Georgia, he's also an HIV-positive gay man who lost his lover,
Zane, to AIDS. Jones has combined dance with theatre to look at
such un-dancelike issues as AIDS, mortality and racism.
The new piece is abstract, "cryptic," according to
The New York Times, unlike such earlier Jones works as
Still/Here, which achieved instant fame when New Yorker
critic Arlene Croce refused to see it--or review it--on the grounds
that its fatally ill performers were doing a form of victim art.
Running 70 minutes, We Set Out Early is a kind of millennial
tour through the 20th century. It's divided into three sections,
each set to the music of a composer belonging to a different period
in the century--the late Igor Stravinksy and John Cage, and Peteris
Vasks, a contemporary Latvian. Jones told a Washington Post
critic that the title "reads like the first line of a short
story or a novel, so the audience gets into that mode, but it's
an abstract, nonlinear work." That critic, Sarah Kaufman,
later wrote that the piece is "abstract, evanescent as a
spider web, and yet shimmers with emotional and even spiritual
import." Jones' dancers, she noted, "continue to rank
among the finest anywhere...they all share a velvety propulsion,
razor-sharp technique and a stage presence that's close to majesty."
Tickets for the concert are $25, with 15 percent discounts for
faculty and staff, 50 percent discounts for children and students
with ID. The tickets are available at Dillard's
(1-800-638-4253) and the Centennial box office
(621-3341). Jones will give a free lecture on Unlocking the
Creative Process at 7:30 p.m. Thursday, April 16, at Centennial
Hall. Before the concert, UA dance prof Jory Hancock will give
a pre-performance discussion of Jones' work at 7:15 p.m. Saturday,
April 18, in Room 101 of the Douglass Building, east of Centennial
Hall.
BALLET ARIZONA REPRISES its full-scale Alice in Wonderland,
which last played in Tucson three years ago, at a series of three
shows at the PCC Proscenium Theatre, 2202 W. Anklam Road. Fresh
from a sold-out run in Phoenix, the wild production alternates
between the music of the Red Hot Chili Peppers and the Brandenburg
Concerti of Bach. Every Ballet Arizona dancer and apprentice,
some 32 strong, joins forces to bring Lewis Carroll's surreal
story to life. Bonnie Rich, who did a breathtaking dance of the
dead in Ballet Arizona's Earth Dances concert a few weekends
ago, does a 180-degree turn to become the feisty Alice. The White
Rabbit is Judith Adee, the sinuous dancer who did the showstopping
Arab dance in this year's Nutcracker. Michael Uthoff, company
artistic director, choreographed the piece in 1991.
Shows are at 8 p.m. Friday, April 17, and at 4 and 8 p.m. Saturday,
April 18. Tickets are $15 to $34, with discounts available to
students, children and seniors. They're available at the PCC box
office (206-6988), Dillard's (1-800-638-4253) and Ballet Arizona
(1-888-3Ballet).
A WIDE ASSORTMENT of independent choreographers will introduce
their new works in A Spring Choreographers Showcase, presented
by the Zenith Dance Collective, at 8 p.m. Thursday, Friday and
Saturday, April 16 through 18. The shows are at the Tucson Center
for the Performing Arts, 408 S. Sixth Ave.
Zenith's annual concerts are always among the most on-the-edge
dance events in town. This year familiar Zenith choreographers
Eva Tessler, Nanette Marie and Jon McNamara will share the boards
with some new names: Nate Dryden, a former Orts dancer skilled
on the trapeze, Nancy Mellan, Elizabeth Breck and Jim Lobely,
and so is the Sacred Ways Dance Company out of Philadelphia. Sacred
Ways will perform "Full Woman," a religiously themed
work.
Tickets are available at the door for $10. Seniors get in for
$8, students with ID for $6. For more information, call 322-9021.
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