In The Words Of Buckaroo Banzai, "No Matter Where You Go, There You Are."
By Kevin Franklin
IT'S AN UNAVOIDABLE hazard of all hikes and backroad drives
that you have to arrive somewhere at the end. I suppose the only
greater hazard is to expend all your resources and not
arrive at your destination.
Yet there's a tendency to focus on the act of getting from one
place to another, with the experience of the journey itself getting
left by the wayside. Many's the time I've watched groups of my
fellow hikers making tracks in the hiker-pool lane, speeding past
all the rest stops in their commute up a mountain.
Guilty of this myself at times, I decide today to be an idle
observer; to forget about deadlines and odometer readings and
head out over Redington Pass to see what captures my interest.
I think of it as sort of a Sonoran Desert safari: a tourist's
exploration of terra incognita. When tourists go on safaris in
Africa, they're not traveling halfway across the world in order
to drive a few miles in a Land Rover. They're going to look at
the wildlife. What road they take and the distance they cover
is irrelevant. The key to enjoying this kind of outing is recognizing
what you're looking at and how it fits into the overall ecosystem.
Without understanding the role of the various organisms, it's
like looking at wallpaper; or watching two people talk without
hearing any of the words.
The best natural historians I know spend a lot of time outside
simply observing. They don't necessarily cover lots of ground,
but they take a close look at the ground they're on.
My friend Yar Petryszyn, curator of mammals at the UA, conducts
a great deal of rodent and bat research. Most of his field research
is done at night, so during the days he peruses field guides and
studies the other wildlife living around his camp and wandering
through it. Over the years, this has made him into the best general
naturalist I've ever met. The Smithsonian Institute, which employs
him as a naturalist for many of their member excursions in the
Sonoran Desert and around the world, seems to think so, too.
One of his basic tenets is that the point of a field guide is
to have it in the field--not at home on a bookshelf. The best
way to learn and remember your natural surroundings is to identify
them while you're there and can put them in context. Once home,
you begin to forget key details--or maybe you didn't note them
in the first place. This leaves you flipping back and forth between
different candidates, less and less certain of what you actually
saw.
Another of his tenets is that all field guides are not created
equal. The best way to choose one is first to decide what you
hope to learn from it. A comprehensive guide, like The Audubon
Society Nature Guides: Deserts is a good book for a beginning
naturalist interested in learning the marquee plants and animals.
If you want a single book that describes things like saguaros,
gray foxes and rattlesnakes, this is a good one. However, generalist
books leave out a lot of the lesser-known species. If you're interested
in finer detail, then you need a book that focuses on a narrower
field.
Plants are a great place to cut your teeth as naturalist. They
don't run away, aren't very good at hiding and generally submit
to study without too much of a struggle. I like the Audubon Society
books because they use photographs, which for me identify things
more conclusively than illustrations. One of the best resources
for plant identification locally are the Southwest Parks and Monuments
Association field guides, like Shrubs and Trees of the Southwest
Uplands.
Flip through various guides at a local bookstore and see
which works best for you. Pick out a few guides in your area of
interest; flip to a plant or animal you already know; and look
at the various depictions and descriptions. From this you can
gauge which guidebook jibes best with your understanding. Remember:
The best field guides are the ones that work best for you.
With the recent rains, Redington Pass Road is a rough ride. I
bounce along until I reach the mouth of Beuhman Canyon on the
east side of the pass. I set up camp here. Right off the bat,
I spot a few unfamiliar plants and birds, along with a few unnamed
ones I've seen many times before. I kick back in a folding deck
chair, crack open a beer and flip through my various field guides.
It's safari time.
Next week: Out There Guy searches for the ghost of Ed Abbey
at Atacosta Peak!
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