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Longtime Artist Friends Finally Stage A Group Show At Davis Dominguez Gallery.
By Margaret Regan
FOLLOW THE ROCKS in the new Mini Blockbuster show
at Davis Dominguez Gallery. If you read them right, they tell
the story of a longtime relationship among three pioneering artists
up at Oracle's Rancho Linda Vista.
James G. Davis has painted a big gray boulder set against a blue-green
landscape in "Friends," an oil on paper. The rock is
the backdrop for two men affectionately posing arm in arm. You'll
find the same rock, a half-circle flattened out on the bottom,
in Bruce McGrew's "Colorado Pond," an oil on canvas.
McGrew's rock is in one of his characteristically transcendent
landscapes, a deep-green pine forest split in two by a shaft of
light. There's the rock again in Davis' "Beaver Pond,"
jutting above dark waters in a forest. This painting looks even
more like a McGrew than "Friends" does, and it's set
in a clay frame by Joy Fox, who also contributes a frame or two
to works by McGrew, her husband.
Nobody familiar with their work would mistake a Davis painting
for a McGrew, but it's easy to read the uncharacteristic Davis
rocks as homages to his friend McGrew, who has long painted the
local landscape and made something of a trademark of rocks. The
Davis collaboration with Fox honors her familiar works in clay,
colored in the reds and beiges of the Oracle earth, and it echoes
the more familiar Fox-McGrew collaborations in clay and paint.
The three artists, all gallery regulars, have never before shown
their works together there. This charming show is a big one for
Davis Dominguez, with some 39 works by the three artists squeezed
into the small space (more on that later). In common they have
their friendship, long-time tenancy at the ranch and some level
of inspiration from the Oracle terrain--Davis less than the others.
But naturally all three have distinctive artistic styles. Davis,
for instance, who has spent a good deal of time in cosmopolitan
Berlin as well as in the lovely Oracle boonies, brings a kind
of urban tension to his landscapes that the other two don't have.
Unlike McGrew, Davis almost always sets figures into his depictions
of land and sea, and the uneasy relationships between the people
are reflected in nature. Two little gems, "Coffin Island/Red
Sea" and "Jealousy," both oils on canvas, trace
out complicated interactions among three people at a lake, which
by turns is blood-red and envy-yellow. Davis flattens out his
terrain too, compressing foreground, background and horizon into
a solitary plane that can be claustrophobic, even foreboding.
McGrew, on the other hand, is more like the 19th-century painters
who found in the infinite land a source of redemption. In fact,
McGrew's startling shafts of light, beaming into the forest in
"Colorado Pond" or illuminating the land where it meets
the water in "Lady of the Lake," have a distinctively
19th-century quality. His light makes of the earth a thing sublime.
His colors are wholly contemporary though, in a mostly light palette
that takes in pale pinks and yellows and lavenders to deep greens
and blues.
If there's anything awkward about his lovely works, it's the
classical-style nudes that McGrew occasionally introduces into
them, a naked Adam and Eve, for instance, or a mysterious lady
on the shore. He does much better when he keeps people out of
his land altogether. The large "Oracle Afternoon," a
watercolor/collage, is as good as McGrew gets: Its hillside is
lit up by the sun, but its yellow desert trees and red clay earth
shine with a radiant light all their own.
That same red earth is what makes Fox's clay works such a visceral
delight. Her floor pieces, some as high as four feet, are sensuous
sculptures in clay, twisted into fantastic desert creatures that
owe as much to Native American legend as to real-life Sonoran
fauna. Half-human, half animal, they are wholly of their place,
tinted in the red and beige of the desert dirt, blackened by fire,
and etched like petroglyphs. "Imaginary Friend," in
clay and metal, is a typically witty cross between woman and rabbit.
Her face is a black ceramic fragment of a face mask, with wire
eyes made from found coils, and her body is an amalgam of wild
clay shapes bolted together and tinted in pink, beige and yellow.
After this show closes, there will be only three more in the
current Davis Dominguez space, located in an office park on North
Oracle. Gallery co-owners Candice Davis and Mike Dominguez are
moving the business out of the foothills and back downtown, where
they started more than 20 years ago. Davis said the move to an
old warehouse at the corner of Sixth Street and Seventh Avenue
will convert the gallery from one of the smallest in town to one
of the largest. They'll go from the present 1,500 square feet
to about 5,200 square feet, allowing not only for larger changing
shows, but also a permanent display for their regular artists.
"It's kind of exciting," said Davis. "It's a beautiful
space...We wanted a larger space for a long time...And downtown
is really starting to happen."
Mini Blockbuster, a show of works by Joy Fox, Bruce
McGrew and James G. Davis, continues through Saturday, February
14, at the Davis Dominguez Gallery, 6812 N. Oracle Road. Gallery
hours are 10 a.m. to 5 p.m. Tuesday through Friday, and 10 a.m.
to 4 p.m. Saturday. For more information call 297-1427.
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