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Tucson's Largest And Oldest Indy Bookstore Has Fallen Victim To The Super-store Juggernauts.
By Jeff Yanc
TO THE EVER-expanding list of vanishing Americana, we must
now add the Bookmark, Tucson's last family owned and operated
general interest bookstore. Two months after celebrating its 40th
anniversary as Tucson's premiere independent oasis of unique,
stimulating and just plain weird literature, the store, often
regarded by authors and customers as the southwest's finest independent
bookstore, is closing its hatches and submerging forever into
the murky waters of a Wal-Mart nation.
The Bookmark's sad story is not unique--it's the fourth independent
bookstore to close in the Tucson area in the last two years, and
one among hundreds closing across the country, seemingly on a
daily basis. It's no real surprise that this city's largest and
oldest indy bookstore has finally fallen victim to the super-bookstore
juggernauts quickly insinuating their way into every corner of
every major city in the nation. In a cultural climate that demands
quantity over quality, and encourages consumers to desire familiarity
over innovation, the passing of a unique Tucson fixture such as
the Bookmark makes perfect sense.
By focusing its attention on local and unknown authors and out-of-the-mainstream
book titles, the Bookmark seemed woefully out of step with the
chain stores' emphasis on proven commodities. In a landscape crowded
with generically faceless McMegaMarts, the store's unabashedly
funky personality sealed its fate. From its eye-popping turquoise-blue
paint job to its handwritten display signs, its labyrinth-like
shelves crammed to overflowing with titles both common and arcane,
and its diverse staff of passionate, book-loving bibliophiles,
the store just couldn't help being, well, different. And
as difference itself becomes an increasingly ineffective business
strategy, the unique and singular must quietly be led out of the
building. Ironically, it's the store's very uniqueness that will
sorely be missed by Tucson once it no longer exists.
As a true book fiend, longtime patron, and current employee of
the Bookmark, it's easy for me to become sentimental over its
passing. The final days leave indelible impressions burned into
my memory: the steady stream of dismayed, loyal customers tearfully
recounting stories of the lasting impression the store and its
employees (many of whom have worked at the Bookmark for over 15
years) have left on their lives; the constantly asked question,
which has become somewhat of a mantra throughout the building,
"But where will I shop now?" ; the local authors, such
as Barbara Kingsolver, stopping buy to offer their condolences
and gratefully acknowledge the Bookmark's instrumental role in
helping their careers take flight when chain stores would not
take notice; the ever-emptying shelves dwindling to nothingness
in anticipation of the store's final hour, lending the constant
reminder that this is indeed the end. While the outcome of the
battle between indys and chains seemed inevitable for the Bookmark,
the emotional impact of its death still resonates strongly, not
only for its employees, but for the community as well. It also
illuminates serious social issues that are currently in the spotlight.
The dire state of independent bookstores is a hot topic of cultural
debate at the moment, thanks in large part to the eerily prescient
December 1998 release of the Tom Hanks / Meg Ryan blockbuster,
You've Got Mail, which uses the indy/chain struggle as
a backdrop for romantic comedy, and which inadvertently becomes
as timely a piece of capitalist propaganda disguised as fluffy
entertainment as Hollywood has ever produced. For the two people
who have not yet seen the film, it details the destruction of
an independent bookstore (owned by the scrappy Ryan) by the hands
of a Death Star-sized chain bookstore (owned by the greedy but
charming Hanks) that moves in across the street. The film pays
brief lip-service to the "evils" of corporate chains
by depicting Ryan as a truly passionate book lover and Hanks as
a shallow corporate shark who wouldn't know a book from a bottle
of olive oil, and by showing that mega-stores use huge discounts,
coffee bars, and flashy window displays to clobber the little
guys, who just sell books. Despite all of this, the film ultimately
supports the chain store ideology by having Ryan's character,
a passionate defender of the independent spirit, blithely sipping
coffee at Starbucks every morning before trudging off to her slowly
dying bookstore, and by having her gleefully forget all of her
hard feelings at having her 42- year-old family business obliterated
by the chain competition because she just can't help falling for
the big galoot who orchestrated its demise.
While it's not at all surprising that a major Hollywood studio,
with corporate ties to both book publishing firms and chain bookstores,
would valorize the chains over the independents, it is disturbing
that such ideology is couched within a slickly formulaic romantic
comedy which allows its ideals to pass invisibly to the public.
It is through repeated inclusion in media products that are seen
as "just entertainment" that such ideologies take hold
in the collective consciousness and become naturalized, and which
makes a sad event such as the closing of the Bookmark seem almost
redundant.
What the coincidental timing of the release of You've Got
Mail and the Bookmark's closing (and the major local press
attention it has received) indicates is a high level of cultural
awareness of the plight of indy booksellers in the face of corporate
encroachment. While the film may blatantly reinforce prevailing
ideologies that champion the chains, it has also seemingly opened
many people's eyes to the very existence of a power struggle being
played out in the book-selling arena. Many indy customers lured
away by the chains can now see that discontinued support leads
to certain death for the indys. Not only has the film sparked
heated discussions among bookstore employees and customers, the
debate also rages on the Internet as well. For example, the Northern
California Independent Booksellers Association (http://www.nciba.com/patholt.htm)
has posted an ongoing dispute between book sellers, independent
watchdogs, and other interested parties over the film and the
issues it raises. If you feel passionately about the future of
independents, now is the time to make your voice heard.
So, with the chain-ing of America firmly underway, and with Tucson's
last general interest indy bookstore having fallen prey to consumers'
desire for discounts and spacious parking lots, where does that
leave the Tucson book lover? Without choices. While change may
be good for the economy, it may not be so healthy for basic First
Amendment freedoms of choice and expression. Yes, change and profit
are obvious and irreversible components of capitalism--after all,
book selling is a business, and those stores that sell the most
books will survive, and stores must adapt to social change in
order to gain consumer support. Economic Darwinism dictates that
the mighty shall prevail by devouring the weak. Yet the long-term
effects this new breed of super bookstores will have on our lives,
our ideas, and our ability to exercise free choice are potentially
bleak.
The free enterprise system of economic competition has traditionally
ensured the American consumer a multitude of choices as to where
to spend and what to buy with their hard-earned money. However,
as the book industry edges ever closer to a monopoly system of
corporate dictatorship, these choices are strangled. While the
chain stores are not "evil," by destroying bastions
of difference such as the Bookmark in the name of progress, they
effectively restrict access to the very idea of choice. Cries
of unfair business practices levied against the chains by indy
retailers, who are often denied the same discounts from publishers
that are afforded the chains, which would allow them to compete
more effectively, have led to numerous legal battles--the same
issues that have kept Bill Gates and Microsoft dodging antitrust
laws for months). In the very near future, if a superstore doesn't
carry the book you want, where will you go? Nowhere, because as
the only game in town, they will not only be able to decide what
reading materials will be available to the public, but with all
competition erased, they will also have no strong imperative to
offer those huge discounts that initially seemed so attractive.
The consolidation of booksellers into massive chain stores mirrors
the kinds of conglomeration practices that currently run rampant
in the entire media industry. As the purveyors of media increasingly
coalesce into multinational conglomerate corporations, with single
companies like Time-Warner owning both production and distribution
facilities for books, music, film, TV, radio, magazines, web sites,
etc., the range of ideas expressed through that media become more
narrow, and the seemingly endless array of choices offered to
the buying public is revealed to be an illusion created by vested
corporate interests. When the bulk of the printed and electronic
information disseminated to the public is created and distributed
by only a handful of companies, the freedom to choose our own
intellectual pursuits is stymied. Aside from the obviously Orwellian
overtones of thought control that media conglomeration implies,
the simple pleasure of discovering a good, offbeat book to read
based on your own criteria, without the constant corporate pressure
to buy the latest bestseller, is all but lost.
We desperately need stores like the Bookmark that do not have
ownership ties with these huge corporations, who do not feel corporate
pressure to highlight specific authors and titles based on company
policy and economic track records, and who are able to hand sell
titles based on the love of books and the thrill of the unknown.
Independent retailers can have a huge impact on sales for unknown
authors, as evidenced by the stunning success of the National
Book Award-winning Cold Mountain, by first-time novelist
Charles Frazier. The book first started its climb up the bestseller
lists as an underground sensation created by excited indy book
buyers who read, loved, and hand sold the unpublicized small print-run
book to their customers, eventually attracting the attention of
Random House, who snapped up the paperback rights and made a fortune.
As the consolidation and commodification of information continues
unabated, potentially interesting and subversive materials are
slowly removed from the system of production and distribution,
because they are not proven sellers. In effect, books become simple
commodities, interchangeable with all other retail products--if
they don't sell, they're not stocked. But the problem is, selling
books is unique within the retail world. Books should not be packaged
and sold like running shoes or power tools. Unlike most luxury
items, books contain the power to stimulate imaginations, to expand
consciousness, and to create new ideas. If we lose the ability
to choose what we read, we lose access to the unequaled power
contained between the covers of a good book, and to an extent,
our own intellect. This inherently unique product deserves to
be presented to the public in a fittingly unique manner--by letting
individuals choose on their own what they want to read.
This is exactly the service the Bookmark provided to the community
for 40 years. While the state of independent booksellers in Tucson
looks grim (only a smattering of small specialty shops remain),
the independent philosophy remains intact in the store's owners.
Co-owner Brenda Blanton is seriously considering the possibility
of regrouping and reopening a scaled-down version of the store
in a new Tucson location sometime in the near future. "We
still have something to offer the community," Blanton says.
"We still want to support local authors and offer Tucson
a choice in what they read." In a society where access to
books, and by extension, ideas themselves, is becoming increasingly
dictated by corporate interests, the notion of freedom of choice
has never been more precious and vital.
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