|
Number One Cup's Four Members Know How To Work Together For The Greater Good Of Alterna Pop.
By Brendan Doherty
FEW BAND MEMBERS actually work together on the music they
play and record. One or two people run most bands on the creative
and business sides. It's rarely a collaborative event--instead
the process more closely resembles either a fascist dictatorship
or a rudderless boat. Musical dictators are often like the Smashing
Pumpkins' Billy Corga, who plays all the bass and guitar parts
on the band's recordings, writes the lyrics, hires everyone and
sings. At the other extreme are musical anarcho-collectives unable
to bring themselves to edit each other--pushing listeners through
15-minute songs that bring to mind the likes of "In A Gadda
DaVida."
Number One Cup is neither. The members of the impressive four-piece
alternative pop band from Chicago write their songs with the sharpness
of a single vision using a collective method. As such, they're
a good-sounding anomaly. Five albums and a number of tours into
their career, the band members have navigated the creatively difficult
waters of communal songwriting in the world of loud rock. It would
seem that every creative decision would be hotly contended by
the members, three of whom sing.
"If we've learned anything in the 10 years we've been a
band, it's how not to piss people off," says Michael
Lenzi, drummer and singer for the Chicago-based group. Lenzi,
who looks like a '90s version of the Monkee's singer and drummer
Mickey Dolenz, says, "Everything is subject to the committee.
That's the way it works with this band. We write songs as a group.
We'll have individual singers, but not songwriters."
While comparisons to contemporary groups like Pavement, Guided
by Voices, and the Flaming Lips will put you in the ballpark,
Number One Cup has achieved a singular identity on its latest
CD, where Lenzi does most of the singing. Earlier albums sounded
more like compilations of different bands rather than different
facets of the same band. With a strong intellectual underpinning
attached to its aggressive, two-guitar, bass-and-drums aesthetic,
Number One Cup plays straightforward rock with quirky pop twists.
Boasting three competent vocalists and a penchant for adding strange
additional instrumentation to its basic rock sound, this group
infuses a vast, cinematic scope to tuneful little songs that rarely
exceed the four-minute mark. With a little luck, these guys could
actually come up with a hit single or two.
"We're a little bit older than the average band, and we've
been doing this a long time," says Lenzi. "We know most
everyone else doesn't write songs this way. The most recent record
was a stepping-off point, because we changed bass players, and
we each went over all of the lyrics. Each of us made small changes,
but I think the voice of the person still carries through. We
don't have 30-minute songs."
The Chicago quartet infuses its music with a clear love for Wire,
Gang of Four and Television.
"We're getting on to our 30s," says Lenzi of the band's
disparate influences. "We've seen music trends come and go.
I like to think that we remember and keep alive the good parts
of each."
The fruits of their group-writing approach and wide-ranging influences
are evident on their fifth and most recent release, People,
People, Why Are We Fighting. Soaring melodies, backward hooks,
and nonsensical lyrics twist around themes of music itself ("Vintage
Male Singer"); alienation ("3 Stars"); the road
("Unison Bends"); drinking ("Ice Melts Around My
Battery"). Contrasting with the rockers are non-sappy piano
and heartbeat repose "Canada Disappears," the Depeche
Mode-like "The Low Sparks," and the maudlin piano outro
"Why Are We Fighting?" Like a shiny coin in the goulash,
the ebullient pop road-song, "Remote Control," is a
pop gem worthy of the Boo Radleys.
The band appears to be the four guys from down at the coffee
shop by the U. T-shirts, jeans, cheap worn shoes, hair a little
greasy. Except guitarist Patrick O'Connor looks a little like
Steven Malkmus of Pavement. It lends a little star power to their
post-college dressing-down "rock casual."
"We look like your friends," says Lenzi. "And
Pat doesn't mind so much that he looks like Malkmus. We were all
re-invigorated by music in 1991. We were bitten by the My Bloody
Valentine "Loveless" bug, and Pavement's Slanted
and Enchanted. We came along toward the end of that movement.
We were the people buying the records, waiting for our chance
to make the music."
And when their chance comes, these four don't hesitate to smash
the delicacy they've created on record with the force of a powerful
live show.
"We would do this whether or not we had the chance to break
out and be accepted by the mainstream," says Lenzi. "As
a result, when we play, it's loud. This may be our last one before
we go back to noodling in the garage. Every single show I break
something. I'm really surprised I've never hurt anybody. We're
on the side of rock bands that play hard. You might plug your
ears because you're bored with the kind of music that we play,
but you can't be bored by the performance of it. We fucking love
rock and roll, and don't have any pretensions about it at all.
We're not really getting paid for this. We're a cooperative, and
we're all in this together. When you get in there night after
night, it had better be something that you like."
Chicago's Number One Cup performs at 10 p.m. Monday, January
11, at Stinkweeds record store in Phoenix. Cover is $4
at the door. Phoenix locals Signal Kicker open the show. Call
(602) 968-9490 for details and directions.
|
|