Vol. 31, No. 1
30 Years, 30 Stories
The Fool's Progress, or, the Pursuit of Print Goes on Forever
By Douglas Biggers
Danehy
Tom discusses Bob Seger covers, online commenters and the Weekly's anniversary
By Tom Danehy
30 Years of Tucson Weekly: 1984-1989
By Tucson Weekly Staff
30 Years of Tucson Weekly: 1990-1995
30 Years of Tucson Weekly: 1996-2001
30 Years of Tucson Weekly: 2002-2007
30 Years of Tucson Weekly: 2008-2013
Slow Growth Tucson
Tucson's economy is suffering because the city has capped commercial marijuana farms
By J.M. Smith
Sports
Is it time for Southern Arizona to ditch the Arizona Interscholastic Association?
By Brian J. Pedersen
Guest Commentary
One reader takes issue with the idea that we should rename Rodeo Week
By Miguel Ortega
Editor's Note
Happy Birthday to Us
By Dan Gibson
Media Watch
By John Schuster
Police Dispatch
By Anna Mirocha
(Th)ink
Thy Cup Runneth Over
By Keith Knight
K. Rat "Nobody's Fool"
By Andy Mosier
E.J. Pettinger's Mild Abandon
By E.J. Pettinger
Hoopleville
Coin Toss
By David Kish
The Fish Wrap
By Arnie Bermudez
Random Shots
Joint Benefit
By Rand Carlson
Red Meat
Buzzard-Picked Frontier Humor
By Max Cannon
T Q&A
Lewis Black
By Henry Barajas
History for Sale
By David McGlothlin
Wait Wait ... It's Paula
Musical Time Travel
Diversity Fest
Decade of a Dream
No Easy Answers
Hany Abu-Assad's Omar is a morality tale of Shakespearean scale
By Bob Grimm
Corsets and Cousins
Elizabeth Olsen shines again in the 19th-century adultery tale In Secret
By Colin Boyd
DVD Roundup
By Bill Frost
True TV
Made in Detroit
The Motor City provided Dale Earnhardt Jr. Jr. with influences and a safe place to grow
By Eric Swedlund
Soundbites
By Stephen Seigel
Live
By Joshua Levine
Lethal Dosage: Consume
Jillian Bessett: Electric Moon
By Annie Holub
Aroma: Oni
By Gene Armstrong
Waiting for Something
The concept of Un Encuentro is admirable, but the plays that are part of it have their problems
By Sherilyn Forrester
Hibernian Happenings
Irish band FullSet jump-starts two months of Celtic 'craic' in Tucson
By Margaret Regan
The Glass Menagerie Glows
Maedell Dixon is a standout Amanda in Tennessee Williams' masterpiece at Arizona Rep
By M. Scot Skinner
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