Posted
ByBob Grimm
on Mon, Feb 29, 2016 at 3:15 PM
Nominated for an Academy Award for Best Foreign Language Film, writer-director Tobias Lindholm has delivered a mixed bag war drama.
The first half is actually quite good as Claus (Pilou Asbaek), a soldier from Denmark stationed in Afghanistan tries to lead a tired troop on patrols while his wife Maria (Tuva Novotny) holds things together back home. Life takes a bad turn for Claus when he inadvertently kills civilians during battle and is returned home to face charges. Lindholmās film then becomes a courtroom drama with very little mystery and tension. The second half of the movie doesnāt feel like it belongs to the first.
The film actually works best when showing Maria dealing with a child who is acting up in the absence of his father. In this respect, itās actually quite memorable as an examination of families whose loved ones have gone off to war.
Once the courtroom drama kicks in, Maria takes a backseat to standard cinematic legal drama. Itās too bad, and itās also surprising that this film got the Oscar nod over such great movies as the horror show Goodnight, Mommy from Germany and the haunting Rams from Iceland.
Those films were far more fully realized. A War isnāt a bad movie. It has some solid performances (especially from Novotny) and a first half that resonates. As for everything that takes place in the courtroom, itās unnecessary and, quite frankly, boring.
Even months after the official release of the documentary "Rape on the Night Shift"āan investigative piece that truly gave a platform to the voices of immigrant women who have been victims of sexual assault while working late-night janitorial jobsāthe creators of the doc continue to feel the ramifications of putting an ignored issue of this caliber under a gigantic magnifying lens.
He also refers to the more-than-a-handful of times other news outlets have referenced the documentary, as well as janitorial startups that have pledged to protect their workersāagain, citing "Rape on the Night Shift" as the foundation.
Posted
ByDavid Safier
on Mon, Feb 29, 2016 at 12:30 PM
Last week I wrote about a new report which concludes that charter schools spend far more on administration per student than school districts. According to the report, charters average $1,403 on administrative costs per student and school districts average $628. The higher costs at charters add up to $128 million a year.
To create the report, the authors went through the Annual Financial Reports submitted to the state by all charters and school districts. They put the data on administrative costs per student for all charters and districts into a long table (It begins on page 26 if you want to look at it). I went through the table to find how much each Tucson-area school district spends on administration per student. As I wrote above, the state average for districts is $628. Here's the local district breakdown, from low to high.
Interestingly, TUSD, which is regularly accused of having a bloated administration, is the third lowest on the list, just below the state district average.
The report shows that many of the larger charter districts, which should benefit from economies of scale, actually have some of the highest administrative costs (Costs at some of the smaller charters are below the school districts' average cost). BASIS, for instance, spends an average of $2,275 per student on administration, more than 50 percent higher than the charter average. Here are the numbers for the Tucson-area BASIS schools, from low to high.
Oro Valley Primary: $1,952
Tucson North: $1,976
Tucson: $2,075
Oro Valley: $2,456
One final stat from the study: the amount spent on administration relative to classroom spending. School districts spend an average of 22 percent as much on administration as on the classroom. Charters spend 48 percent.
Posted
ByJim Nintzel
on Mon, Feb 29, 2016 at 11:45 AM
Over the weekend, former Arizona governor Jan Brewer was among the current and former elected officials who came out to endorse Donald Trump for president.
Brewer said her endorsement was based on Trumpās proposal to stop illegal immigration by building a massive wall along the border and rounding up undocumented immigrants. Many politicians have promised, as John McCain once said, to ābuild the danged fence,ā but only Trump has come up with the idea of building a ābeautifulā concrete wall and making Mexico pay for it.
Itās a plan that seems somewhat unlikely; former Mexican President Felipe CalderĆ³n told CNBC earlier this month that āMexican people, we are not going to pay any single cent for such a stupid wall,ā while former Mexican president Vicente Fox was more blunt in his comments, telling Univisionās Jorge Ramos: āI am not going to pay for that fucking wall.ā Of course, when Trump heard that, he said the wall ājust got 10 feet higher,ā so those Mexicans had better zip their lips or itās gonna cost them a lot of pesos once the Trump logo in on the White House.
This is part two of a three-part journal about my month in Kenya volunteering at a childrenās foundation in the infamous Mathare Slum. I wrote about my first day in Nairobi here.
Day Two (Wednesday): The day got off to a quick start. We had a brief staff meeting with an outside adviser who continually told us that we had to make our pictures and stories go viral, as if that isnāt what everybody posting to Instagram, Twitter, WordPress, Blogspot, Reddit, Facebook, tumblr, YouTube and Pinterest isnāt already unsuccessfully trying to do. Writing the most profound and catchy article of the month, combined with taking a stunning photo that tells an amazing story, wonāt get a second of attention online if Kanye West tweets something stupid that day or Buzzfeed releases a list why people born in the (insert decade here) are the best. Us though, we would do it. We would be successful. We just needed to go viral.
My coworkers were amazing. All volunteers, all welcoming and charismatic, and all with great ideas. I lucked out by landing in a workplace with Eric, Viv, Sharon, and James all working there. Life is good when your friends are your coworkers and your coworkers are your friends.
We went to lunch at a "hotel" near the office. The small restaurants that dot the roadsides are called hotels, each selling traditional Kenyan food for incredibly cheap prices. I got lentils and chapati, a circular piece of bread that is fried generously with crisco. Then I asked for water. I was told to grab a cup from the bucket near the seats. They looked clean, but were still soaking wet and were sitting uncovered in the sun. And there wasnāt a sink to wash them in nearby. I grabbed the driest one I saw. A pitcher of tap water rested on the table. Itās apparently unhealthy to drink tap water from African slums, but I didnāt see any other water so I downed a glass. When in Romeā¦
Posted
ByJim Nintzel
on Mon, Feb 29, 2016 at 10:15 AM
Former Pentagon analyst and Army Ranger Paul Scharre has penned a report warning that creating "autonomous weapons"āor, in more common parlance, killer robotsāhas a lot of downsides, including the "potential for catastrophic accidents."
The New York Times sums it up:
A new report written by a former Pentagon official who helped establish United States policy on autonomous weapons argues that such weapons could be uncontrollable in real-world environments where they are subject to design failure as well as hacking, spoofing and manipulation by adversaries.
In recent years, low-cost sensors and new artificial intelligence technologies have made it increasingly practical to design weapons systems that make killing decisions without human intervention. The specter of so-called killer robots has touched off an international protest movement and a debate within the United Nations about limiting the development and deployment of such systems.
Did we learn nothing from Terminator? Robocop? Avengers: Age of Ultron? On the other hand, new robot overlords might be a better alternative than President Donald J. Trump.
Posted
ByBrenna Bailey
on Mon, Feb 29, 2016 at 9:15 AM
Filmmakers Nicole Franklin and Jai Tigget premiere the fifth installation of their race narrative, Little Brotherāwhich was filmed right here in the Old Puebloāat the YWCA Tucson this Monday, Feb. 29. The documentary's goal: to remind people that black boys are more than societal stereotypes.
Filming of Little Brother started back in 2010. Each 15-minute chapter explores black boys' livesāas well as their fears and hopes for the future in various communities, ranging from Camden, New Jersey, to Chicago, to here in Tucson. Franklin says the documentaries highlight race issues in wake of recent police violence aimed at black boys and teenagers, but that she and Tigget didn't originally want to tell these boys' stories for that reason.
"We gotta give everyone a chance to be aware of their humanity," she said. "We have to give them that acknowledgementāyou know, that, 'I really need to understand who you are,'"
Little Brother: Manchild in the Promised Land, set here in the Old Pueblo, tells the untold history and present of Tucson's black boys and illuminates southwest race relations at large, according to Franklin, who directed this chapter of the docu-series. She says people often forget that black men and women in the southwest were pioneers and conquistadors, but that Tucson Heritage Tours teach this to the local young black community.
"Our history doesnāt have to be one where weāre just slavesāwhich is trueābut there's so many different aspects to our history. Different colors, different riches. It's just something we can highlight, especially in this chapter."
Tonight at the Academy Awards, Oscar-nominated performer, Lady Gaga, took the stage in support of the millions of victims of sexual violence. In an incredibly passionate performance of her song "Til it Happens to You," Lady Gaga laid it all on the table and it was spectacular. I was moved to tears by her conviction, courage, vulnerability and, of course, her beautiful voice.
Lady Gaga, a victim of sexual violence herself, was joined on stage by several dozen survivors who each had their own statement written on their arm. Those included sentiments like "unbreakable," "not your fault," and "it happened to me."
The song was introduced by Vice President Joe Biden who represented the White House's It's On Us campaign to end sexual assault.
Every day, I become more disillusioned with our society's unwillingness to end the abuse experienced by one in five women and one in 71 men. In the light of these feelings, I was so happy to see this years' Oscars would be used as a platform to discuss important issues as well as glamour, talent and fame.
Like most children, I loved watching Disney princess movies and trying to dress up like them. But incredibly talented and creative Malaysian makeup artist @queenofluna takes classic dress-up to a whole other level.
"Using only her hijab and killer makeup skills, she gives herself the face AND the hair of our favorite princesses, and even a few fierce villains," said Lauren Gordon in an article for Revelist.
Get a look at some of her creations (assuming her account isn't private when you see thisāit's been going back and forth since she got noticed)
Check out her Ariel! She even includes one of those "dinglehoppers!"